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Swiss deejay Cyril Miserez dj mizoo takes you on a vibrant journey through vast downtempo ambient soundscapes with solid incursions in the deep trance and techno fields. Featuring engaging tracks from the deejay himself, Ultimae’s AES Dana, Scann-Tec, I Awake feat. Hybrid Leisureland, Cell, Miktek and new comers to the label’s realms such as Mystic Crok, Om aka Ovnimoon, Ascendant and Claudio PRC.

May 3, 2019 sees the start of Stereolab's seven album reissue campaign via Warp Records and Duophonic UHF Disks, as expanded and re-mastered editions on vinyl and compact disc. Each album has been re-mastered from the original 1/2'' tapes by Bo Kondren at Calyx Mastering and overseen by Tim Gane. Bonus material will include alternate takes, demos and unreleased mixes. Stereolab have attracted one of the most loyal audiences in modern pop, with every album outselling it's predecessor. The raw artiness and German rock influences heard on this U.K. sextet's landmark Transient Random-Noise Bursts (1993) have been distilled into a smooth sour-mash cocktail here. As with sister act The High Llamas, there's a buoyant '60s whimsy to these tracks, recorded in Chicago (with Tortoise's John McEntire), Düsseldorf and elsewhere. Laetitia Sadier has refined her Françoise Hardy routine, and Tim Gane marshals his vintage synths to fine effect on "Prisoner of Mars" and "The Flower Called Nowhere."

On Emperor Tomato Ketchup, Stereolab moved in two directions simultaneously – it explored funkier dance rhythms while increasing the complexity of its arrangements and compositions. For its follow-up, Dots and Loops, the group scaled back its rhythmic experiments and concentrated on layered compositions. Heavily influenced by bossa nova and swinging '60s pop, Dots and Loops is a deceptively light, breezy album that floats by with effortless grace. Even the segmented, 20-minute "Refractions in the Plastic Pulse" has a sunny, appealing surface – it's only upon later listens that the interlocking melodies and rhythms reveal their intricate interplay. In many ways, Dots and Loops is Stereolab's greatest musical accomplishment to date, demonstrating remarkable skill – their interaction is closer to jazz than rock, exploring all of the possibilities of any melodic phrase. Their affection for '60s pop keeps Dots and Loops accessible, even though that doesn't mean it is as immediate as Emperor Tomato Ketchup. In fact, the laid-back stylings of Dots and Loops makes it a little difficult to assimilate upon first listen, but after a few repeated plays, its charms unfold as gracefully as any other Stereolab record.