Recently headlining the blues stage at The Montreal Jazz Festival, Beale Street’s latest success story, 5-time Blues Blast Music Award Nominee and International Blues Challenge Runner-up is Ghost Town Blues Band. Not your grandpa’s blues band, their live show has been captivating audiences in the U.S., Canada and Europe with their "second-line horn entrance," cigar box guitars and electric push brooms to Allman Brothers style jams and even a hip-hop trombone player. The band's stage show and energy is unparalleled and has been called the best new live blues show in the world.
While Bill Frisell has released plenty of albums under his own name, this is his first true solo album – the first on which he plays all of the instruments himself. These include electric and acoustic guitar, six-string banjo, and bass, as well as the occasional looped sample. To call the music he creates on this album "introspective" would be something of an understatement. This won't come as a complete surprise to his fans – there has always been a gentle and meditative quality to his music, and even when he's gotten wild with his trio or with downtown pals like John Zorn or Vernon Reid, those moments of abrasive abandon have always seemed like detours from his more natural, but no less inventive and interesting, sweetness and good humor.
In the years following her acclaimed 2011 LP Queen of the Minor Key, Americana singer/songwriter Eilen Jewell relocated cross-country from Boston back to her hometown of Boise, Idaho, gave birth to a daughter, released a double live album, and still found the time to record what might be the most succinct and poignant album of her career. The retro country, blues, folk, and Western noir that have long made up her palette are all still present, but there's a relaxed feeling to 2015's Sundown Over Ghost Town that suggests Jewell has reached a confident place in both career and life. Maybe it's the homecoming to a setting better suited to her lonesome, high desert sound or maybe it's simply the passage of time colored by recent motherhood, but songs like "Worried Mind," "Half-Broke Horse," and "Songbird" have a wistful country-folk purity that feels earned by years and experience.
There are two albums on this CD: the first (tracks # 1-10) "Ghost Town" was released in 1982, while the second (tracks # 11-20) "Inamorata" was released in 1984. Both were of course released on vinyl. This compilation (2 albums on 1 CD) was released by Rhino Records in 1995.