The Milestone label released several of this artist's better records in which he flirts, indeed gets seriously involved, with electronic keyboards. This one is the album where he goes head over heels for the electric piano, and fans of jazz with that Fender Rhodes sound are going to want it, even if the photographer decided to make the normally dignified pianist look like Pinnochio in both of the shots. Paul Bley sits at a bank of keyboards here, giving forth a passage on acoustic, then some chirping synthesizer, then some electric piano, and so forth.