Not to state the obvious, but the reality is that The Pearl Sessions by Janis Joplin is primarily for completists and musical historians. That's fine; given its design and contents it appears it was meant to be. The two-disc package includes the original album and mono 45 masters of six of its tracks - including "Me & Bobby McGee," "Move Over," and "Get It While You Can." These are interesting, but they don't hold a candle to the stereo album mixes. It's the second disc that holds the fan treasures. The studio banter by Joplin, producer Paul A Rothchild, and the Full-Tilt Boogie Band is priceless. It offers proof of Joplin's exacting standards when it came to getting across the maximum emotional impact of a song, as well as her vulnerability - asking for guidance from Rothchild as to how to approach a particular take (he hands control right back to her)…
Pearl was Janis Joplin's valedictory. It was also her masterpiece. Originally released posthumously in 1971, Pearl encapsulates Janis’s greatness. The first female superstar of the modern rock era, Janis was not only a powerhouse performer of rock and blues but also showed an innate affinity for soul, country-inflected folk and even the Great American Songbook.
This new, two-disc edition of Pearl includes nine previously unreleased selections. Disc One’s bonus tracks include the touching tribute "Pearl" composed by Full Tilt Boogie, while Disc Two chronicles Janis’s 1970 trans-Canada Festival Express tour, and is sequenced to recreate one of the spellbinding shows from that summer…
Janis Joplin's second masterpiece (after Cheap Thrills), Pearl was designed as a showcase for her powerhouse vocals, stripping down the arrangements that had often previously cluttered her music or threatened to drown her out. Thanks also to a more consistent set of songs, the results are magnificent - given room to breathe, Joplin's trademark rasp conveys an aching, desperate passion on funked-up, bluesy rockers, ballads both dramatic and tender, and her signature song, the posthumous number one hit "Me and Bobby McGee." The unfinished "Buried Alive in the Blues" features no Joplin vocals - she was scheduled to record them on the day after she was found dead. Its incompleteness mirrors Joplin's career: Pearl's power leaves the listener to wonder what else Joplin could have accomplished, but few artists could ask for a better final statement.
Janis Joplin wouldn't be denied on Pearl. The powerhouse vocalist had kicked her addictions, teamed with a stupendous band, and partnered with a producer that knew how to best showcase her voice on record. She came to the sessions with an armload of astonishing songs, and a burst of creative energy that mirrored her rejuvenated emotional state and undeniable spirit. You can hear it on every note of the 1971 record. Ranked #135 on Rolling Stone's 500 Greatest Albums of All Time list, Pearl sold more than four million copies and stands as the first female rock superstar's definitive studio work.
Sony Legacy re-released four classic Janis Joplin LPs originally on Columbia – Big Brother & the Holding Company, Cheap Thrills, I Got Dem Ol' Kozmic Blues Again Mama!, and Pearl – as a four-disc set available on 180-gram vinyl. The cover art was re-created from the original LP jackets.
Whether it was singing with Big Brother And The Holding Company or with her Full Tilt Boogie Band, Janis Joplin had one of the most identifiable, most emotional and most soulful voices ever recorded. Coming to San Francisco from Texas in 1966, Janis soon had the music world’s total attention, simply blowing the audience away at Monterey in 1967 while fronting Big Brother and gaining a record deal with Columbia Records in the process. After that, it was hit after hit with songs like her signature Piece Of My Heart, Cry Baby, and her Number One take of Kris Kristofferson’s present day standard Me And Bobby McGee, all included here. Through it all, Janis Joplin established herself as one of the very best and one of the most important singers and song interpreters ever to hit the music scene.
In 1975 Columbia Records released this double disc, which held both treasures and frustration for the fans of Janis Joplin. The treasures were the glimpses of her live work with the Kozmic Blues Band plus a bonus LP containing 17 previously unreleased folk tracks entitled "Early Performances." The frustration lies in the big lie. In the world before DVD combined the film and the CD soundtrack, someone at Columbia had the audacity to substitute previously released material to replace some of the live performances that appeared on the film - most notably "Cry Baby" and "Piece of My Heart." It is noted on the label, but is not the kind of thing fans of soundtracks expect to see after they purchase the LP. Think anyone had the intuitive courage to take the live performance of "Mercedez Benz" from the Wicked Woman bootleg of her last show with Full Tilt Boogie from Harvard University Stadium for this set…
Columbia has managed to squeeze an impressive, perhaps excessive, number of compilations out of Janis Joplin's relatively slim body of recordings. With this two-CD set, The Essential Janis Joplin, the label's at it again, though it's a good one to get if you don't want to collect all the Joplin releases, and certainly don't want to get the expensive Joplin boxes, but want more than what fits onto a single disc. Including both solo recordings and highlights of her stint with Big Brother & the Holding Company, it has all the songs fans and critics would consider milestones in her career: "Ball and Chain" (a version recorded live in 1967 at the Monterey Pop Festival, not the more familiar one from Cheap Thrills), "Piece of My Heart," "Down on Me," "Summertime," "Try (Just a Little Bit Harder)," "Tell Mama" (the live 1970 performance from the expanded edition of Pearl)…