Pelleas Wilson Dvd

King Crimson - Larks' Tongues In Aspic (1973) [CD+DVD-A] {2012, 40th Anniversary Series}
EAC Rip | FLAC (image+.cue+log) - 375 MB | Scans PNG - 96 MB | MP3 CBR 320 kbps (LAME 3.98) - 156 MB
DVD-A | ISO+MDS - 7,39 GB | Audio: MLP: 5.1 / 2.0 (24/96) | DTS: 5.1 (24/48) | LPCM: 2.0 (24/48)
Genre: rock | RAR 5% Rec. | Label: DGM / Panegyric | CAT # KCSP5 | 2012

Two-disc CD/DVD-A package. Remixed for 5.1 Surround Sound from the original studio masters by Steven Wilson (Porcupine Tree) and fully approved by Crimson founder Robert Fripp. CD features a completely new 2012 stereo album mix by Robert Fripp & Steven Wilson, as well as three extra, previously unreleased, alt takes/mixes by Steven Wilson. DVD A (compatible will all DVD players and DVD Rom players) features a 5.1 DTS Mix and High Resolution Stereo mix (24bit/48khz). DVD A players, and some Blu Ray players can, additionally access a 5.1 Advanced Resolution (Lossless Audio) mix. DVD A features both the original album mix, new album mix and an album's worth of alternate mixes by Steven Wilson in High Resolution stereo.

King Crimson - Larks' Tongues In Aspic (1973) [CD+DVD-A] {2012, 40th Anniversary Series}
EAC Rip | FLAC (image+.cue+log) - 375 MB | Scans PNG - 96 MB | MP3 CBR 320 kbps (LAME 3.98) - 156 MB
DVD-A | ISO+MDS - 7,39 GB | Audio: MLP: 5.1 / 2.0 (24/96) | DTS: 5.1 (24/48) | LPCM: 2.0 (24/48)
Genre: rock | RAR 5% Rec. | Label: DGM / Panegyric | CAT # KCSP5 | 2012

Two-disc CD/DVD-A package. Remixed for 5.1 Surround Sound from the original studio masters by Steven Wilson (Porcupine Tree) and fully approved by Crimson founder Robert Fripp. CD features a completely new 2012 stereo album mix by Robert Fripp & Steven Wilson, as well as three extra, previously unreleased, alt takes/mixes by Steven Wilson. DVD A (compatible will all DVD players and DVD Rom players) features a 5.1 DTS Mix and High Resolution Stereo mix (24bit/48khz). DVD A players, and some Blu Ray players can, additionally access a 5.1 Advanced Resolution (Lossless Audio) mix. DVD A features both the original album mix, new album mix and an album's worth of alternate mixes by Steven Wilson in High Resolution stereo.

Jethro Tull - Thick As A Brick (1972) [CD+DVD] {2012 Chrysalis 40th Anniversary Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 294 Mb | MP3 @320 -> 104 Mb
DVD9 -> 4.40 Gb | All Regions | NTSC 16:9 | LinearPCM, 2 ch 24-96 / DTS, 6 ch / Dolby AC3, 6 ch | ISO Image
Artwork @ 300 dpi (png) -> 18 Mb | 5% repair rar
© 2012 Chrysalis Records / EMI | 5099970461923
Rock / Progressive Rock / Art Rock

Following the release earlier this year of the sequel to JETHRO TULL’s Thick As A Brick, on November 5th 2012 EMI will release a 40th anniversary edition of the original album. In 1972, Ian Anderson wrote and recorded the Jethro Tull Progressive Rock classic album ‘Thick As A Brick’. The lyrics were credited at the time to the fictitious child character, 'Gerald Bostock', whose parents supposedly lied about his age. The record instantly became a number one Billboard Chart album and enjoyed considerable success in many countries of the world.

The DVD is a killer invention suited to a killer musical program. It is helpful to our understanding the drama of opera, movies, and symphonic works performed by a symphony orchestra. It is easy to see how “catching on” to an opera (or a feature film) depends on the body language and facial expressions of the players. It’s more difficult to explain how a video representation of an orchestra at play helps us “get” a mostly auditory experience. Some people use orchestral music to fall asleep by, after all. Others like to watch the byplay of the musicians, how they hand off to one another. Some insist watching an orchestra play is as exciting as watching jazz musicians play off one another. How does this work?

Soprano Natalie Dessay leaves the dizzy heights of Bellini’s Amina, Donizetti’s Marie and Massenet’s Manon to inhabit the more discreet emotional and vocal world of Debussy’s Pelléas et Mélisande with a cast of fellow francophones.
“There’s more to life than top notes,” Natalie Dessay has said. She has, of course, made her reputation with the florid, stratospheric heroines of Romantic French and Italian opera, but in this new DVD from Vienna she portrays a heroine who presents few opportunities for vocal display, but many for subtle characterisation – Debussy’s Mélisande. Dessay had sung the role just once before, in concert in Edinburgh in 2005. Pelléas et Mélisande is full of ambiguity and its vocal lines closely reflect Maurice Maeterlink’s often enigmatic text. A few unaccompanied, ballad-like phrases are the closest Mélisande gets to an aria.

Soprano Natalie Dessay leaves the dizzy heights of Bellini’s Amina, Donizetti’s Marie and Massenet’s Manon to inhabit the more discreet emotional and vocal world of Debussy’s Pelléas et Mélisande with a cast of fellow francophones…

Sir Simon Rattle leads an all-star cast in this highly anticipated new recording of Debussy’s evocative opera Pelléas et Mélisande. It was captured in January 2016 during performances of an innovative collaboration between Rattle and Peter Sellars, two of the boldest creative minds in music and theatre today. Supported by the London Symphony Chorus, prepared by renowned choral director Simon Halsey, it is a moving statement of intent for Rattle’s tenure as LSO Music Director.