Penny Crayon

Plastic Penny were a British group who made the U.K. Top Ten in early 1968 with "Everything I Am," a labored ballad augmented by strings, that wasn't even one of their best songs. Much of their material was psychedelic pop with hints of encroaching prog-rock, sometimes recalling the Who a bit, elsewhere going into more fey story-songs. Their guitarist, Mick Grabham, would play with Procol Harum between 1973-1977.

Plastic Penny were a British group who made the U.K. Top Ten in early 1968 with "Everything I Am," a labored ballad augmented by strings, that wasn't even one of their best songs. Much of their material was psychedelic pop with hints of encroaching prog-rock, sometimes recalling the Who a bit, elsewhere going into more fey story-songs. Their guitarist, Mick Grabham, would play with Procol Harum between 1973-1977.

The art of Shakespeare was a recurring fascination for Mario Castelnuovo-Tedesco. In addition to two operas and numerous settings of songs and sonnets, he wrote 11 Shakespeare Overtures which here receive their first ever complete recording. Deploying all the resources of the symphony orchestra, these are some of the twentieth century's most dramatic and tuneful orchestral works, spectacular evocations of Shakespeare's greatest plays.

The art of Shakespeare was a recurring fascination for Mario Castelnuovo-Tedesco. In addition to two operas and numerous settings of songs and sonnets, he wrote 11 Shakespeare Overtures which here receive their first ever complete recording. Deploying all the resources of the symphony orchestra, these are some of the twentieth century's most dramatic and tuneful orchestral works, spectacular evocations of Shakespeare's greatest plays.

Sir Arthur Sullivan called Edward German ‘the one man to follow me who has genius’. Notwithstanding German’s success in operetta, especially with Tom Jones (recorded on 8.660270–71) and Merrie England (the suite is on 8.555171), orchestral music was always central to his life. Stylistic affiliations with French and Russian music – not that common in British music of the time – are often evident. German, like Elgar, was a stylistic cosmopolitan whose music is, paradoxically, quintessentially English, and the ‘Norwich’ is indeed an outstanding late 19th-century British symphony. German gave us another superb symphony too, albeit in miniature, with his Welsh Rhapsody, a brilliant orchestral showpiece that remains his most performed extended orchestral work.