Percy Grainger

Polyphony, Stephen Layton - 'At Twilight': Choral music by Percy Grainger and Edvard Grieg (1995) Reissue 2006

'At Twilight': Choral music by Percy Grainger and Edvard Grieg (1995) Reissue 2006
Polyphony, conducted by Stephen Layton; David Wilson-Johnson, baritone; Paul Agnew, tenor

EAC | FLAC | Image (Cue&Log) ~ 243 Mb | Mp3 (CBR320) ~ 173 Mb | Scans included
Genre: Classical, Choral | Label: Hyperion/Helios | # CDH55236 | Time: 01:15:12

Grainger’s mastery of choral textures shines out of this wide-ranging collection of folk-song arrangements, each highly individual and memorable. Plus his friend Grieg’s finely scored religious settings. Superior performances by Stephen Layton and Polyphony.
John Eliot Gardiner, The Monteverdi Choir - Danny Boy: Songs & Dancing Ballads by Percy Grainger (1996)

John Eliot Gardiner, The Monteverdi Choir, English Country Gardiner Orchestra - Danny Boy: Songs & Dancing Ballads by Percy Grainger (1996)
EAC | FLAC | Image (Cue & Log) ~ 323 Mb | Total time: 74:58 | Scans included
Classical | Label: Philips | # 446 657-2 | Recorded: 1994, 1995

Percy Grainger was a weird dude. This is most evident in his orchestrated choral music, here under the direction of John Eliot Gardiner leading his Monteverdi Choir and further aided by the English Country Gardiner Orchestra from 1996.
Clark Rundell, Royal Northern College of Music Wind Orchestra - Percy Grainger: Transcriptions for Wind Orchestra (2008)

Clark Rundell, Royal Northern College of Music Wind Orchestra - Percy Grainger: Transcriptions for Wind Orchestra (2008)
EAC | FLAC | Image (Cue & Log) ~ 218 Mb | Total time: 60:51 | Scans included
Classical | Label: Chandos | # CHAN 10455 | Recorded: 2007

The eccentric Percy Grainger was well-known for his musical arrangements which ranged from works by other composers as well as arrangements of his own original and folk music settings. These arrangements form a body of work which is perhaps unique in musical history.
Percy Grainger - A Window into the Past - Great Opera and Ballet Composers, Vol. 1. Piano Music from the Golden Age (2023)

Percy Grainger - A Window into the Past - Great Opera and Ballet Composers, Vol. 1. Piano Music from the Golden Age (2023)
FLAC (tracks), Lossless / MP3 320 kbps | 2:59:42 | 643 / 408 Mb
Genre: Classical / Label: Novus Promusica

Percy Grainger was known during his lifetime as a virtuoso pianist and arranger of popular English folk song. His primary contribution to music, however, lies in his prolific output as a composer of expert and highly original works. Grainger's early years were spent in Melbourne where he studied first with his mother, and later with Louis Pabst. From 1895-1899 he attended the Hoch Conservatory in Frankfurt, Germany, and then settled in London in 1901.
The Grainger Edition, Volume 14 - Works for Chamber Ensemble 2 (2000)

The Grainger Edition, Volume 14 - Works for Chamber Ensemble 2 (2000)
EAC | FLAC | Image (Cue & Log) ~ 275 Mb | Total time: 67:49 | Scans included
Classical | Label: Chandos | # CHAN 9819 | Recorded: 1999

Though Australian, more than any figure in English music Percy Grainger consistently blurred the bounds between folk-music arrangements and original composition. Two arrangements of Danish folk songs on this disc, "The Nightingale" and "The Two Sisters," have never been recorded before, while 13 others of the 23 pieces are, in these versions, premiere recordings. An essential issue for Grainger collectors, the music has broad appeal, conveying a direct emotional intimacy in such pieces as the solo piano version of "The Power of Love," a tune that, Grainger noted, "matched my soul-seared mood" after his mother's death. "Molly on the Shore" is among Grainger's best-known folksong arrangements, though not so many will know this vibrantly performed string quartet version.

The Grainger Edition, Volume 10 - Works for Pianos (1999)  Music

Posted by ArlegZ at June 2, 2023
The Grainger Edition, Volume 10 - Works for Pianos (1999)

The Grainger Edition, Volume 10 - Works for Pianos (1999)
EAC | FLAC | Image (Cue & Log) ~ 173 Mb | Total time: 68:55 | Scans included
Classical | Label: Chandos | # CHAN 9702 | Recorded: 1998

A real tonic, this, and unexpectedly stimulating, too. We know how effective Grainger’s colourful orchestrations can be, but in her excellent introductory booklet-note pianist Penelope Thwaites asserts that ‘the balancing of textures to bring out key melodic strands can often be achieved more clearly in Grainger’s multi-piano versions.’ Well, given the superbly poised and concentrated advocacy on show here, that certainly applies to both the extraordinary ‘music to an imaginary ballet’, The Warriors (which, incidentally, lasts 19'19'' and not 9'19'' as printed) and the irresistible Jutish Melody (more familiar in its orchestral guise as the last movement of the Danish Folk-Music Suite), while the amazing English Dance (the work which prompted Faure to exclaim ‘It’s as if the total population was a-dancing!’) now acquires a very Griegian flavour in some of its gentler episodes.
The Grainger Edition, Volume 12 - Songs for Mezzo-soprano (1999)

The Grainger Edition, Volume 12 - Songs for Mezzo-soprano (1999)
EAC | FLAC | Image (Cue & Log) ~ 277 Mb | Total time: 73:49 | Scans included
Classical | Label: Chandos | # CHAN 9730 | Recorded: 1998

Again Grainger amazes, amuses, arouses, intrigues. These 'Songs for mezzo' originate in Britain (with an excellent sequence of Scottish songs), Jutland and Australia. Some are folksongs collected in the early years of the century; two have words by Kipling, five by Ella, Grainger's wife, and some have no words at all.
The Grainger Edition, Volume 3 - Works for Chorus and Orchestra 1 (1996)

The Grainger Edition, Volume 3 - Works for Chorus and Orchestra 1 (1996)
EAC | FLAC | Image (Cue & Log) ~ 262 Mb | Total time: 60:44 | Scans included
Classical | Label: Chandos | # CHAN 9499 | Recorded: 1996

The CD's title slightly misleads. Not all of these pieces are for chorus and orchestra. Some are for orchestra alone. Nevertheless, the CD gives us Grainger at his most characteristic. Grainger always considered himself primarily a choral composer who occasionally dabbled in short works for orchestra and chamber ensemble. For far too long, almost everybody dismissed Grainger as a lightweight, but, happily, that seems about to change. For one thing, more works have come to light and, more importantly, to performance and recording. Chandos' Grainger Edition counts, in my opinion, as one of the most significant projects in British music.
The Grainger Edition, Volume 13 - Works for Chamber Ensemble 1 (1999)

The Grainger Edition, Volume 13 - Works for Chamber Ensemble 1 (1999)
EAC | FLAC | Image (Cue & Log) ~ 288 Mb | Total time: 73:00 | Scans included
Classical | Label: Chandos | # CHAN 9746 | Recorded: 1998

This disc present the essence of Grainger in many familiar pieces without the density of voices or the enchanting demands of richly dished-up arrangements. The piano is usually a sine qua non. The Arrival Platform Humlet is slightly Bachian. Stephen Orton and Hamish Milne play Scandinavie – a five movement suite for cello and piano. This encompasses soulful, Alfvén jolly and Griegian light romantic. It’s a surprise we do not hear this more often or indeed the other nicely calculated pieces here.
The Grainger Edition, Volume 9 - Works for Chorus and Orchestra 3 (1998)

The Grainger Edition, Volume 9 - Works for Chorus and Orchestra 3 (1998)
EAC | FLAC | Image (Cue & Log) ~ 263 Mb | Total time: 62:34 | Scans included
Classical | Label: Chandos | # CHAN 9653 | Recorded: 1998

Mock Morris, Molly on the Shore and Shepherd’s Hey are edgily chipper. When Grainger is in this vein he looks in the direction of Frank Bridge’s Sir Roger de Coverley – a Britten favourite - and in this case there is a hint of Capriol too. Died for Love is out of the same green meadow as Moeran’s two pieces for small orchestra. Delightful. The Love Verses and the slightly chilly Early One Morning bring home parallels with Balfour Gardiner’s April and Philomela (long overdue for revival). Youthful Rapture (Tim Hugh, cello) has also been recorded by Julian Lloyd Webber who takes more time than Hugh and this piece can bear the slower tempo.