Peter Caydick

It's hard to explain the enduring appeal of Peter Hammill's music, but maybe it has some connection to the fact that his career has always run on a parallel track somewhere removed from the main sequence of Progressive Rock fashions. At a time when musicians were renowned for their virtuoso chops, Hammill was the notable exception…

Spur of the Moment is an album of experimental music by Peter Hammill and Guy Evans, originally released as cassette tape on the Red Hot label. A remastered version was released on CD on the DaTE label in February 1988. The album is currently out of print…

Second album / collaboration between Luke Haines (Auteurs / Baader/Meinhof / Black Box Recorder) and Peter Buck (R.E.M.). Peter Buck plays guitar and feeds LSD to a broken Moog synthesiser. Luke Haines sings songs about God, provides an occasional strum on his guitar and blows Pan’s flute. Scott McCaughey plays the bass and mellotron and Linda Pitmon bangs the ritual drum. Lenny Kaye drops in and has a nightmare in the key of doo-wop. During the last two years, over lockdowns, Luke Haines and Peter Buck retreated to a cold war bunker and recorded this double album / manifesto, monster-piece and masterpiece, in answer to the question: Why are all the Kids super bummed out?

Some Peter Green fans might be put off by this 64-song/four-CD collection, owing to the fact that they are likely to already own a significant chunk of what's here (especially the Fleetwood Mac material). (And in fairness, there apparently isn't a lot of – or any – unreleased material to draw on from Green's classic period with the band). But this reviewer had to spring for this four-and-a-half hour showcase of his work, and for one major reason – vitality. Green's virtuosity is a given, and his taste and his insights into blues and what can be done with it – while still leaving it as blues – are well known to anyone who's heard his work.

Smooth groove chill and lounge tracks. Peter Pearson is a composer of mainly instrumental music, with an emotionally driven style that crosses the genres of Easy Listening and Chillout with elements of Ambient, Lounge, Jazz, Blues, light Classical and Rock. Simplicity and emotion are his driving forces - if there is no passion, there is no music.

Boston singer-songwriter Peter Mulvey's solo effort conjures shades of Van Morrison's early freewheeling musical attitude; his eclectic musical approach is immediately apparent on this ambitious collection of songs, which is presented in a loosely improvisational style by a talented pool of musicians whose performances rely on empathy as much as on musical charts.

A one-time event stemming from an offer to percussionist Guy Evans to do anything he wanted at the Union Chapel in London. An idea to collaborate with Peter Hammill on a variety of semi- improvisational material partly built on samples of Hammill's music soon expanded to incorporate more traditional performance ideas as well as connections to Evans' own colleagues in the Echo City troupe…

As the title suggests, Calm After the Storm is a companion volume to the simultaneously released Storm Before the Calm compilation. But whereas that set highlighted the fiery operatics for which the (predominantly) 1970s-era Hammill was best regarded, this package takes the opposite tack, and isolates the gentle ballads that have always been a major part of his persona…

Through the 1970s, Peter Hammill was something of a regular on John Peel's BBC radio show, both solo – recording five sessions – and as a member of Van Der Graaf Generator (seven more). Many of these latter sessions have since seen release, either officially or otherwise; Hammill's solo sessions, on the other hand, have proven very difficult to pin down, with even this collection omitting his first two outings in July 1973 and March 1974…