Peter Caydick

‘In a Foreign Town / Out of Water 2023’ is a new project by Peter Hammill. which features new reworkings of two of Peter’s landmark albums originally released in 1988 and 1990 respectively.

Splinter Group/Destiny Road is a remarkably good value for anyone interested in the comeback of Peter Green. Combining the self-titled debut of the Splinter Group along with Destiny Road, this two-fer offers a good snapshot of the man's return…

The Journey Home: Live from the Kennedy Center. Inspired by the 100th anniversary of the end of WWI, the concert, which sold-out at the time, explores timeless themes of longing, loss, love, and the search for peace in the wake of catastrophe. Musical selections range from Schubert's Der Wanderer, to Vaughan Williams' Songs of Travel, as well as popular tunes and art songs by composers and poets who died in the war. The concert is performed by Grammy Award winning baritone, John Brancy, and pianist (and host of NPR’s From the Top), Peter Dugan in a 2018 live performance from the Kennedy Center’s Terrace Theater. The concert was presented by Vocal Arts DC and the General Delegation of Flanders to the United States. Brancy and Dugan will also release a single and music video from their performance of, “Where Have All the Flowers Gone,” from the album.

This is the first ever album devoted to the chamber music of Helena Munktell, one of the earliest female composers in Sweden. The daughter of an industrialist, Munktell received private lessons in piano and song from an early age, but soon also training in music theory and composition. In 1877 she visited Paris, where two of her sisters lived, and during the next thirty-odd years the city would be a second home to her.

Internationally acclaimed Swedish pianist Peter Jablonski is known as a fervent champion of Polish music. In this album Jablonski returns to some of his dearest piano music – Chopin’s Mazurkas. For Chopin, the Mazurkas became a deeply personal, intimate statement of his feelings as an émigré Polish composer living in Paris. From some of his very first compositions to his last, it is the only form that Chopin composed regularly throughout his life. Similarly, Chopin’s Mazurkas have followed Peter Jablonski throughout his entire career as a pianist in nearly every solo recital.

With Van Gogh in Me, the Netherlands Chamber Choir presents an experience in which the paintings of Vincent Van Gogh and Gustav Klimt come to life to the music of the great Romantic and early 20th century composers such as Debussy, Saint-Saëns, Mahler… and, in a world premiere, a transcription for a cappella choir of Satie's first Gymnopédie. Originally written for solo piano, this work, which is known and played throughout the world, finds a new magical and celestial dimension in this new version for choir. Mentioning the name of Van Gogh immediately evokes in each of us a colour, a landscape, a sensation… Hence the idea of creating an immersive audiovisual experience: the choir approached an Italian collective, fuse*, to link images and sounds to the emotions of the musicians and the audience… fuse* developed an algorithm based on the works of Van Gogh and Klimt by recording their styles, colours, brushstrokes… then, during the concert, collects the sound of the choir but also biometric data that analyses the emotional state of the audience, the singers and the conductor, and creates visuals in real time, an astonishing show of colours and shapes that mixes sound, images and emotions… The visual of the album is inspired by these experiments.