Peter Glawson

‘The burly Aussie tenor is now even more identified with this ill-fated protagonist than Peter Pears, the first Grimes. And everywhere Skelton has sung the part, whether at English National Opera, the Proms, the Edinburgh festival or now on this international tour of a concert staging mounted by the Bergen Philharmonic, the conductor has been Edward Gardner. Theirs is one of the great musical partnerships, and they continue to find compelling new depths in this tragic masterpiece.’ – Richard Morrison – The Times. This studio recording was made following the acclaimed production at Grieghallen, in Bergen, in 2019 (repeated in Oslo and London and reviewed above). Luxuriant playing from the Bergen Philharmonic and a stellar cast under the assured direction of Edward Gardner make this a recording to treasure.

Invited by Deutsche Grammophon to reinterpret Bach’s six cello suites for their Recomposed series, cellist/composer Peter Gregson has come up with beautiful tributes to these 18th-century masterpieces. Following each movement’s natural harmonic curve and rhythm, Gregson explores different approaches, using electronic effects that ripple beneath Bach’s lines (the first movement of Suite No. 5) or taking single bars, transforming them into minimalist gems. Elsewhere, he plays alongside a small cello ensemble, creating playful dances and sumptuous textures. Sometimes, as with the Menuet from Suite No. 1 or the Sarabande from No. 5, Gregson barely touches Bach’s original notes—an homage to the music’s timelessness.

Niccolò Jommelli was one of the most sought after composers of his time, but finally accepted to become musical director at the court of Stuttgart in 1753. Three years later he composed his Requiem to commemorates the recent death of the Duchess von Württemberg, mother of his patron, the Duke Carl Eugen.. Despite the fact that Jommelli owed his fame almost exclusively to his operas during his lifetime, the Requiem became his most famous work after his death; the almost one hundred handwritten and printed copies of the entire work or fragments of it that have survived in some seventy libraries throughout Europe, some also in the USA, bear witness to this. Whilst the score and parts of the first performance have been lost, we can still form a reasonably good idea of the original instrumentation thanks to a surviving list of payments made to the musicians. We know that there were eight singers (one female and seven male) in addition to Jommelli.

Singer, songwriter, guitarist, and pianist Peter Hammill is a veteran of the rock genre, recording in excess of 40 albums both alone and as a band leader for more than 30 years. A frequent collaborator and friend of Peter Gabriel, Hammill achieved high regard in his native Great Britain and across Europe. Hammill and Gabriel played an important role in the development of progressive rock, leading the art-prog-rock bands Van der Graaf Generator and Genesis respectively and singing in a theatrical, wordy, typically English style…