Born in Osaka. The roots are South Korea. When she was in junior high school, she became fascinated by the song of Harry Connick Jr. from the TV commercial and became interested in jazz. Debuted in October 2003 with her album "better than anything". In January 2004, she also succeeded in a solo tour centered on the national Blue Note, which is unusual for a newcomer. Her debut album will be released in Korea and she will visit Korea for promotion. From January 2004, the song "Close to you" will be used for the TV commercial of Toyota Home.
Born in Osaka. The roots are South Korea. When she was in junior high school, she became fascinated by the song of Harry Connick Jr. from the TV commercial and became interested in jazz. Debuted in October 2003 with her album "better than anything". In January 2004, she also succeeded in a solo tour centered on the national Blue Note, which is unusual for a newcomer. Her debut album will be released in Korea and she will visit Korea for promotion. From January 2004, the song "Close to you" will be used for the TV commercial of Toyota Home.
Washed Out is Atlanta-based producer / songwriter / multi-instrumentalist Ernest Greene. Over three enchanting, critically-lauded albums and an EP, his music has proved both transportive and visual, each release inviting listeners into immersive, self-contained universes. With Purple Noon, his fourth album, and his return to Sub Pop, he delivers the most accessible Washed Out creation to date.
Though the opening cuts are typical Leo Kottke instrumentals – bouncy guitar pieces with nods to jazz, folk, and blues – A Shout Toward Noon is dominated by more moody, somber tunes. In some cases these are in bright folk territory – "Four Four North" has the tense, repetitive activity of a Hitchcock soundtrack and features some unusual guitar techniques that magnify the sense suspense. Other cuts like "The Ice Field" have the meditative, melancholy character that is more typical of John Fahey's later work.
In the 1980's, conductor Neeme Jarvi recorded the nine Dvorak symphonies with the Scottish National Symphony for Chandos. Most of the recordings have received favorable reviews, and some critics believe the cycle established Jarvi the interpreter of Dvorak's music. While I do not own all the recordings in the series and for that reason cannot compare it to other Dvorak recordings by Jarvi, I can say it is an excellent recording and one of my favorites in my collection (consisting of nearly 800 recordings). It begins with the tone poem "The Noon Witch." It is a musical telling of a story similar to "Hansel and Gretel" and Dvorak cleverly uses different instruments and themes to tell the story.
The best review of Noon — the highly anticipated third album from guitar virtuoso Leo Kottke and bass wizard Mike Gordon, their first in 15 years — might be simply to advise you to pick up the album, hit play, and sit back and let these exceptional and inventive musicians carry you along over the twists and turns of their astonishing musical journey. Every song on Noon weaves a multi-layered texture of sound, with Kottke’s mesmerizing finger-picking wrapping around, over, and under Gordon’s darting and hypnotic bass lines. Drummer Jon Fishman, Gordon’s Phish bandmate, joins the duo on five songs, adding yet another rhythmic dimension to the music.