Philippe Katerinecomme Disait ma Petite Sœur

Any new compilation CD starring Yo-Yo Ma is certain to please. This master of the cello takes the listener through so many types of music that the ear and mind never tire. The present selection is billed as a sort of "musical autobiography," and, indeed, it gives us a tour of Ma's musical life. The Silk Road Project is represented by Zhao's "Swallow Song," with its eerie, fascinating soundscape (specially re-recorded for this CD). We also accompany Ma on his excursions into the world of the baroque cello with Vivaldi or of the Finnish folk song (by Mamiya, a first recording). There are Gershwin's languid Second Prelude, with its intimations of the song "Summertime," and an all-new recording of a nine-minute heart-breaker by Astor Piazzolla ("Soledad"). Ma also gives us more familiar Brahms, Franck, and Saint-Saens. The compilation's mellow 65 minutes offer relaxing, beautiful music, all exquisitely played. Ma is joined by the best: Emanuel Ax, Kathryn Stott, John Williams (who plays piano on his own "Going to School" from Memoirs of a Geisha), Isaac Stern, and Claudio Abbado. This is a veritable Who's Who of superb musicians.

This recording of Artaserse by Leonardo Vinci (1690-1730) – born in Naples and, during his short life, celebrated as one of Italy’s leading composers of opera – represents the fourth Virgin Classics collaboration between countertenor Max Emanuel Cencic and conductor Diego Fasolis. It follows an album of Handel arias, Handel’s opera Faramondo and, in 2011, Vivaldi’s opera Farnace – “The performance fairly crackles, with accomplished singing by the flamboyant countertenor Max Emanuel Cencic in the virtuoso title role,” said the Telegraph in the UK…

(Forum Opéra, France.)

There are two different short operas (from 1754 and 1757) by Rameau with the title Anacréon. Both are one-act actes de ballet; this one was actually used as the third entrée of Rameau's opéra-ballet Les surprises de l'Amour when it was revived the same year. Both works have as their subject the Greek poet, Anacreon. The 1757 one - which was first performed at the Paris Opéra in May of that year and has a libretto by Pierre-Joseph Justin Bernard - has an only marginally less slight ‘plot’ than the earlier Anacréon. It follows an argument as to the relative merits of love and wine. That’s resolved in Anacreon’s favour by L’Amour; in fact, he believes the two are not incompatible.

La Naissance d'Osiris (Osiris birth) was performed in 1754 at the birth of Louis XVI in Fontainebleau. Rameau composed the one-act ballet based on a libretto by Louis de Cahusac, who has already provided the libretto for numerous other works by Rameau (Zoroastre, Anacréon, Les Fêtes de l'hymen et de l'Amour …). The piece depicts the birth of the goddess Osiris and symbolizes the birth of the grandson of Louis XV.

Johann Sebastian Bach was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music.