Philippe Katerineune Chambre à Moi

This 1994 recording of most of Mendelssohn's incidental music from Ein Sommernachtstraum coupled with his Fingal's Cave Overture was one of Philippe Herreweghe's first with the Orchestre des Champs Elysées, one of the first French romantic period instrument orchestras, and it was almost but not quite a success. While the Orchestre's sound is fresh and appealing with characterful winds, warm brass, and sweet strings, it is also an odd and sometimes ungainly sound with perhaps overly pungent clarinets and bassoons, possibly overly raw horns and surely occasionally scrappy strings.

Delving into the deepest recesses of raï, this compilation serves as a tribute to its roaring years, but also as a rejuvenation of the genre in its sulphurous, subterranean version. It seemed like a good idea to dig into nearly untraceable cassettes, thus confirming it’s in the oldest of Oranese pots that the very best of raï is to be found. Just 50 years ago, no one would have believed even a bit in a genre seemingly bound to forever turn round and round in its native Oran, laying low in one of its many coastal road clubs.

The numerous instrumental pieces or 'Symphonies' found in the dramatic works of Rameau are remarkably effective on the harpsichord: the composer himself, with his transcription of 'Les Indes Galantes' invited other musicians to continue this tradition.
Seizing on the formidable array of material available in his operas: Platée, Zoroastre, Dardanus, Les Paladins, Pygmalion… Pierre Hantai and Skip Sempé, our finest exponents of this repertoire, take obvious pleasure in revealing, through the two harpsichords, the immense richness of this music, full of surprises and imagination.

For me, this is, hands down, best classical album of 2007. Not just because Jaroussky's voice has achieved a sort of perfection, doing whatever it is asked of it without any hint of effort and with great innate artistry; he has wonderful, very natural coloratura, incredible dynamic control, beautiful tone and sweet high notes that put other countertenors, Scholl included, and even many haute-contre tenors to shame. In the second track, Ciel Nemico, he does a sequence of interval leaps that sound out of this world; and that is just the second track! By Akimon Azuki

Georg Philipp Telemann is one of the composers whose cause Ricercar has always championed with fervour. To commemorate the 250th anniversary of his death, Ricercar now presents a reissue of its vast repertory, which makes up a complete portrait of the output of this inspired contemporary of Johann Sebastian Bach: his sonatas, trios, fantasias, concertos and suites written for all sorts of instruments are accompanied by several sacred compositions, cantatas, and a St Matthew Passion which, like a number of other works in the set, is released on disc for the first time.