Pink Floyd The Abdab

The Final Cut extends the autobiography of The Wall, concentrating on Roger Waters' pain when his father died in World War II. Waters spins this off into a treatise on the futility of war, concentrating on the Falkland Islands, setting his blistering condemnations and scathing anger to impossibly subdued music that demands full attention. This is more like a novel than a record, requiring total concentration since shifts in dynamics, orchestration, and instrumentation are used as effect…

EMI Records managed to miss marking the 40th anniversary of the Beatles' Sgt. Pepper's album, but they just about made up for it with this triple-CD set, packaged in a handsome hardcover book format. It offers fans of the early Pink Floyd a chance to do something for the first time in the CD era (and for the first time since the year 1967) - immerse themselves, up to the neck at least (if not quite to the top of the head) in the Syd Barrett-era Pink Floyd sound. EMI pulled out all the stops with this triple-disc set commemorating the 40th anniversary of the release of Pink Floyd's debut album, The Piper at the Gates of Dawn, containing the stereo and mono mixes of the album on two separate digital platters, and augmenting them with a bonus CD containing the band's three early singles, plus two previously unreleased alternate takes (an "alternative version" of "Matilda Mother" and "Take 6" of "Interstellar Overdrive")…

The Later Years 1987-2019 is an explicit sequel to The Early Years 1965-1972, the 2016 box set that rounded up nearly all the loose ends and detours from the first era of Pink Floyd, the fearless period when they were figuring out what the band could do. The Later Years covers a different time, when their most pressing challenge was demonstrating that they could thrive artistically and commercially without the presence of Roger Waters, the bassist/songwriter who charted Floyd's direction between 1973's Dark Side of the Moon and 1983's The Final Cut…

By condensing the sonic explorations of Meddle to actual songs and adding a lush, immaculate production to their trippiest instrumental sections, Pink Floyd inadvertently designed their commercial breakthrough with Dark Side of the Moon. The primary revelation of Dark Side of the Moon is what a little focus does for the band. Roger Waters wrote a series of songs about mundane, everyday details which aren't that impressive by themselves, but when given the sonic backdrop of Floyd's slow, atmospheric soundscapes and carefully placed sound effects, they achieve an emotional resonance. But what gives the album true power is the subtly textured music, which evolves from ponderous, neo-psychedelic art rock to jazz fusion and blues-rock before turning back to psychedelia. It's dense with detail, but leisurely paced, creating its own dark, haunting world…

Live in Amsterdam, Holland - Concertgebow, September 17, 1969. This is a more complete recording than the normal FM braodcast ROIO's of this show and hence it is some 10 minutes longer and does not have the interruptions to the programme that the FM version has. 'The Man and the Journey' were one of Pink Floyd's early concept-shows performed the first time April 14, 1969 in Royal Festival Hall, London. The event was titled 'The Massed Gadgets Of Auximenes - More Furious Madness From Pink Floyd'.

By condensing the sonic explorations of Meddle to actual songs and adding a lush, immaculate production to their trippiest instrumental sections, Pink Floyd inadvertently designed their commercial breakthrough with Dark Side of the Moon. The primary revelation of Dark Side of the Moon is what a little focus does for the band…

By condensing the sonic explorations of Meddle to actual songs and adding a lush, immaculate production to their trippiest instrumental sections, Pink Floyd inadvertently designed their commercial breakthrough with Dark Side of the Moon…