Pinnacle Studio Plugin

Back Stabbers is a studio album by Philadelphia soul group The O'Jays, released in August 1972 on Philadelphia International Records. Recording sessions for the album took place at Sigma Sound Studios in Philadelphia, Pennsylvania in 1972.

Fine Line is the second studio album by English singer and songwriter Harry Styles, released on 13 December 2019 by Columbia and Erskine Records. Preceded by three singles — "Lights Up", "Watermelon Sugar" and "Adore You" —, Fine Line debuted at number three on the UK Albums Chart and number one on the Billboard 200, making it Styles' second consecutive number-one album in the US. The album had the third-largest sales week of 2019 in the US and broke the record as the biggest debut from a British male artist since Nielsen SoundScan began. It was also the first number one on the Billboard 200 in the 2020s. Fine Line has been described as rock, pop and pop rock, with elements of prog-pop, psychedelic pop, folk, soul, funk and indie pop.

Legendary rockers Scorpions return with their 2022 album 'Rock Believer'', which was created in the studio during the lockdown in their home base Hannover. 'The album was written and recorded in the style of the classic Scorpions DNA with core Schenker/Meine compositions. We really went back to the essence of what defined us in the first place', says front-man Klaus Meine. The sound of the new album has massive energy, delivers a real adrenaline rush and shows uncompromising quality. The record consists of awesome tracks, each one of them a lyrical short story, minimal poems in prose, presented in a lavish sonic guise, featuring the Scorpions' characteristic trademarks from the early 1980s, yet produced from a 2020s perspective. 'Rock Believer' is perhaps the group's most characteristic album to date - a recording by a band at the pinnacle of their musical art.

Rodrigo y Gabriela are ready to embark on the next chapter of their remarkable story, with the release of their first studio album in 5 years. The new album, Mettavolution, will be released April 26 via ATO Records.

Whereas most great live rock albums are about energy, At Fillmore East is like a great live jazz session, where the pleasure comes from the musicians' interaction and playing. The great thing about that is, the original album that brought the Allmans so much acclaim is as notable for its clever studio editing as it is for its performances. Producer Tom Dowd skillfully trimmed some of the performances down to relatively concise running time (edits later restored on the double-disc set The Fillmore Concerts), at times condensing several performances into one track.

Whereas most great live rock albums are about energy, At Fillmore East is like a great live jazz session, where the pleasure comes from the musicians' interaction and playing. The great thing about that is, the original album that brought the Allmans so much acclaim is as notable for its clever studio editing as it is for its performances. Producer Tom Dowd skillfully trimmed some of the performances down to relatively concise running time (edits later restored on the double-disc set The Fillmore Concerts), at times condensing several performances into one track.

Three years after the enervated Here’s Tom with the Weather, Shack return with only their fifth album in an 18-year career. (And that doesn’t even count leader Mick Head’s former band, the Pale Fountains.) The title may name-check Gil Evans and Miles Davis, whose collaborations were the pinnacle of 1950s cool jazz, but On the Corner of Miles and Gil is no more jazz-influenced than any of Head’s previous albums. This is to say, the occasional stray muted trumpet figure or Wes Montgomery-style guitar line floats through these songs, but overall, the late Arthur Lee is a much bigger influence. Love’s trademark commingling of ominous, slightly paranoid lyrics and deceptively pretty melodies has always been Head’s primary starting point, but this album is Shack’s most vital and musically impassioned album in at least a decade.