Pirate of Carabean

Aboard the eighteenth-century pirate sloop William, officers routinely berated underlings as "sea-bitches" instead of "sea-dogs." For crew members Bonny and Read, the insult was technically more accurate. History knows them as Ann Bonny and Mary Read, both of whom served in disguise under an iconic pirate of the Caribbean, Calico Jack Rackham. Guided as much by his imagination as by historical fact, Farley adopts the perspective of Bonny in her dotage, recounting her peculiar path from Ireland to the Bahamas, where she boldly opts to plunge into the "churning cauldron of manhood stirred by Poseidon's staff." There are stretches of surprisingly dead water despite the swashbuckling subject; Farley's portrayal of the tedium of the seafaring life is realistic but not particularly exciting, and he overindulges his interest in the social history of outsiders, dwelling particularly on how Bonny's extra-dark skin (an invented detail?) intensified her alienation from mainstream society. Seaworthy, if not particularly fleet, this will gratify fans of maritime yarns, while the subversive protagonist and homoerotic themes–they are, after all, sailors–should attract an even broader readership. Jennifer Mattson

Originally intended as a filler collection while we waited for a new George Harrison album to arrive, this turns out to be a massively great collection of rare Harrison tracks. It's the most listenable non-official CD of his solo material that I've ever had. A really nice compilation…