Pixies announce 30th anniversary reissue of debut works, Come On Pilgrim… It’s Surfer Rosa.
Unlike the slew of legendary acts – including My Bloody Valentine, Boards of Canada, and Daft Punk – who surprised fans with new albums in 2013, Pixies emerged from their lengthy recording hiatus more cautiously. By releasing a series of EPs that were eventually collected as Indie Cindy for 2014's Record Store Day, the band eased fans into their new material – and, perhaps, gave them time to lower their expectations. Indie Cindy may be most notable for illustrating the pitfalls genre-defining artists face when attempting a comeback: Pixies had such an impact on how indie rock sounded in their wake that upon their return, it's almost inevitable that they sound like they're aping themselves.
A pioneering indie-rock band continues its comeback streak. More sure-footed—and fun—than 2014’s Indie Cindy, Head Carrier bears the hallmarks of classic Pixies: Weird yet pretty, violent yet tender, and as reliant on sweet ‘60s harmonies as the rough edges of post-punk. See the oblique surf rock of “Classic Masher” (which could’ve made the band’s underrated Bossanova) or the rangy, folk-influenced “Tenement Song,” which harkens back to Doolittle.
Pixies have detailed their new album: It’s called Beneath the Eyrie and it’s out September 13 (via Infectious/BMG). Beneath the Eyrie is Pixies’ second album with their current lineup of Black Francis (vocals, guitars), Joey Santiago (guitars), David Lovering (drums), and Paz Lenchantin (bass). It follows 2016’s Head Carrier. Said Korda Marshall, UK SVP Music, BMG, "There are not many bands that can justifiably claim to have changed the sound of music. The Pixies are one, and they continue to push the boundaries with their brilliant new album. We are honored and proud to have signed them to Infectious/BMG and really look forward to working with them in the future."