Play Mice

Kunihiko Sugano Trio +1 - Love Is a Many Splendored Thing (1974) {2013 Japan Three Blind Mice Mini LP Blu-spec CD THCD-256}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 256 Mb | MP3 @320 -> 95 Mb | Artwork | 5% repair rar
© 1974, 2013 Three Blind Mice / Sony Music Direct (Japan) / Think! Records | THCD-256 | LP TBM-26
Jazz / Contemporary Jazz / Post Bop / Piano

Three Blind Mice Blu-spec CD reissue series! Limited paper sleeve edition! Kunihiko Sugano is a unique jazz pianist who is known for his huge talent, a pianistic approach reminiscent of Erroll Garner, and a sensitive nature that made it difficult for him to play in front of a large audience. Considering the latter issue, the live performances contained in this CD, recorded at a big hall in Tokyo for a jazz festival produced by the Three Blind Mice label, was a huge success. It is mesmerizing to hear Sugano's probing and exploratory introductions, relentless swing once he gets going, and palpable joy of making music on the spot. The trio, augmented with conga player Yoichi Ogawa, does a great job as well.

Various Artists - Let the Electric Children Play: The Underground Story of Transatlantic Records 1968 - 1976 (2017) {3CD Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.45 Gb | MP3 @320 -> 540 Mb
Full Artwork @ 300 dpi (jpg) -> 33 Mb | 5% repair rar
© 1968-76, 2017 Transatlantic Records / Esoteric Recordings / Cherry Red Records | ECLEC 32600
Rock / Progressive Rock / Folk Rock / Underground Rock / Psychedelic

Esoteric Recordings are proud to announce the release of a new deluxe 3CD which tells the story of the so- called “underground” era of one of Britain’s great independent record labels of the 1960s & 1970s, Transatlantic Records. In the heady atmosphere of the late 1960s, the sea change in British popular music spearheaded by the Beatles experimentation on the Sergeant Pepper album and swiftly followed by the likes of Cream, Pink Floyd, Traffic, Family, Procol Harum, Jethro Tull and a host of groups and musicians who followed in their footsteps led to the album being seen as the medium in which “serious” musicians would explore and develop their craft. The apparently disparate genres of blues, jazz, rock, folk and even world music were fused together by many diverse acts all of whom were eager to be regarded as “progressive” in their musical approach. The so-called “underground” audience eagerly consumed this music, which sat alongside the social changes that were also taking place.