Play Unsafe Graham

Four CD set celebrating the 35th anniversary of Jaki Graham's albums 'Heaven Knows' and 'Breaking Away' (released in 1985/86). This is the first widely available reissue of the 'Heaven Knows' album since 1986. Featuring the most comprehensive collection of Jaki's EMI albums plus loads of related bonus tracks including 12" mixes, remixes of the singles and B-sides from the period. 'Heaven Knows' contains two UK Top 20 singles; 'Could It Be I'm Falling In Love', a duet with David Grant that peaked at #5 and 'Round And Around' that reached #9.

This album of some of the 20th century’s most captivating songs and standards are heard here in dazzling new arrangements by Richard Balcombe. With a perfect marriage of words and music, these classic songs have a timeless appeal. Whether written for movies, revues or musicals, or specifically for the most renowned singers of the day, all the greatest composers and lyricists of the time are represented in this outstanding new collection.

Graham Nash's second solo effort has been overshadowed by his harmonic heroics as a senior partner in the various Crosby, Stills, Nash & Young configurations. After being lured from the Hollies – where his latter contributions were criminally unappreciated (see, or rather hear Dear Eloise/King Midas in Reverse) – it was Nash who had come up with most of the CSN(Y) hit singles, including "Marrakesh Express," "Our House," and "Teach Your Children." His 1971 debut, Songs for Beginners, was likewise filled with inspired moments such as "I Used to Be a King," "Chicago/We Can Change the World," and "Sleep Song." Topping those efforts would have been superhuman. Such is the way that Wild Tales has been eclipsed and overlooked by enthusiasts of his previous endeavors. Nash gathered a core aggregate of musicians, many of whom were loosely connected to the CSNY family. These include: Johnny Barbata (drums), Tim Drummond (bass), David Lindley (guitar), and Ben Keith (pedal steel guitar/dobro), and, of course David Crosby (vocals).

Graham Nash: Live is the unique project on which Nash revisits his first two classic solo albums, Songs For Beginners and Wild Tales, recorded live in concert. The live albums were recorded in 2019, each in their entirety with their songs in familiar sequence. Nash was joined on stage by a seven-piece band led by his longtime collaborators, Shane Fontayne (guitar and vocals) and Todd Caldwell (keyboards and vocals), The album was mixed by Grammy Award® winner Kevin Killen and mastered by Grammy Award® winner Bob Ludwig.

Arista remastered Graham Parker's masterpiece, Squeezing Out Sparks, for CD reissue, adding the previously promotional-only live album Live Sparks as an added bonus. Though it is somewhat disconcerting to hear the same songs in the same order in a row, it's an excellent addition for hardcore collectors, especially since the sound on the original album is considerably improved. And, Live Sparks is a nervy, energetic live recording, especially with the addition of "I Want You Back (Alive)" and "Mercury Poisoning".

Graham Bonnet is an English rock singer and songwriter. He has recorded and performed as a solo artist and as a member of several hard rock and heavy metal bands including Rainbow, the Michael Schenker Group, Alcatrazz, and Impellitteri. Bonnet is known for his James Dean-inspired style and extremely powerful singing voice and wide vocal range. His singing has been noted as 'very loud' by both his contemporaries and himself, and he claims to be a self-taught singer with 'no discipline for lessons'. The Rock Singer's Anthology is a compilation album by Graham Bonnet, released in 1990.

Icelandic music of the last half century is the focus of this recording by the Choir of Clare College, Cambridge, led by its conductor, Graham Ross. Born from his close collaboration with the native composers of the “Land of Fire and Ice,” this programme sets out to explore and highlight their hypnotic soundworld, instinctively leaning towards contemplation. A prime example is the touchingly beautiful Requiem by Sigurður Sævarsson, which here receives its world premiere recording.