Contains live recordings of mostly the Last Emperor with orchestra and RS at the piano. A number of the tracks are not available on the film soundtrack. The remainder is mostly from Merry Christmas Mr. Lawrence. Here you get to hear these pieces played by orchestra, instead of synths.Interesting and different sounding item…
When Ultra was declared the best Depeche Mode album since Violator, those who said so must have forgotten about Songs of Faith and Devotion. When Exciter was declared the best Depeche Mode album since Violator, those who said so must have also forgotten about Songs of Faith and Devotion, in addition to having found a roundabout way of saying that it was merely better than Ultra. There's no doubt this time: Playing the Angel is both the band's best album since Violator and, more significantly, an album that is near Violator in stature. The biggest clue dropped by the band prior to its release was a quote from Dave Gahan, who said that being in Depeche Mode is better than it has been in 15 years. Some quick math reveals that Gahan was hinting at the Violator era, a time when the band's creativity and popularity peaked synchronously…
With a fun, bright, and wonderful run of hits like "Do You Believe in Magic," "Daydream," and "Summer in the City" behind them, the Lovin' Spoonful began running out of gas by the spring of 1967, and the two albums paired here, You're a Big Boy Now and Everything Playing, both released later that year, show a band that was creatively exhausted. You're a Big Boy Now, the soundtrack to a film written and directed by Francis Ford Coppola, did generate a couple of good songs, the title tune and the lovely "Darling Be Home Soon," while Everything Playing yielded the joyous "She Is Still a Mystery" and "Six O'Clock," but these were really the last great gasp of a truly great American band. Serious fans of the group will want to have these for the sake of completion, and this two-fer is a good way to get both of them at once, but taken together, it's a swan song.