Plk C'est Mort

La Mort d’Abel (1810/1825) – halfway between opera and oratorio – presents, in a spectacular fashion, the murder of Abel by his brother Cain consumed by jealousy. Rodolphe Kreutzer deploys therein the grand art of the tragédie lyrique imagined by Gluck whilst adding his own personal touches, which identifies him as being more than the modest violinist dedicatee of Beethoven’s Kreutzer Sonata. As a top ensemble in Belgium and across Northern Europe, Les Agrémens and the Chœur de chambre de Namur have, for a long time, been exploring rare repertories with enthusiasm, creativity and to the highest standards. Assisted by singers from the rising generation (notably tenor Sébastien Droy and baritone Jean-Sébastien Bou), conductor Guy Van Waas ventures triumphantly into music which nobody before him had imagined there existing such quality.

Alberic Magnard - Alain Meunier, Philippe Guilhon-Herbert - Une Mort Mythique (2014) {Hortus}
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© 2014 Hortus | HORTUS 701
Classical / Romantic / Chamber Music / Cello

This Magnard re-issue on the French label Hortus originally appeared in 2012 (review). It is now repackaged as volume 1 in the series Les Musiciens et la Grande Guerre (Musicians and the Great War) titled Une Mort Mythique (A Legendary Death). Magnard’s Cello Sonata is the primary attraction with the remainder given over to the composer’s complete output for solo piano which takes around forty-four minutes in total. A Parisian by birth Magnard was born into a wealthy family with a privileged upbringing. A pupil at the Conservatoire de Paris Magnard studied under Jules Massenet and Vincent D’Indy. Magnard became a national hero who was tragically shot and burnt to death defending his house from the invading Germans.

Mort Garson - Mother Earth's Plantasia (1976) {Fifth Dimension FD5003-CD rel 2015}
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© 1976, 2015 Fifth Dimension | FD5003-CD
Electronic / Experimental / Synth / Moog

Now the music is top notch 70s electronic music composed by Garson in a brighter happier mode then his previous darker occult themed albums but it still sounds inventive playful and one of a kind….. so I have to recommend it without question.

With her new programme "L'amour, la mort, la mer" Patricia Petibon flies freely from one register to another, from one language to another, and from one style to its exact opposite. However, she does base her repertoire around her own personal journey. This is what grants her seemingly eclectic style the consistency of an unparalleled performance. It is less a recital than a story that unfolds from one composer to the next—a secret story of grief, travel, and solitude. In this way, she echoes the idea underpinning Saint- John Perse’s poem, Amers: “The tragedians came down from the quarries.

Natalie Labourdette (soprano) and Victoria Guerrero (piano) make up an internationally award-winning art song duo that has released its debut CD on GENUIN. The tracklist includes 20th-century vocal music based around the experience of "la petite mort", as the French language refers to the climax of lovemaking. This is an existential experience, the desire to "linger", deep loneliness, and happy union! Alban Berg, Gabriel Faur, Samuel Barber, and other great composers of classical modernism created miniature masterpieces and the two young musicians dedicate themselves to this repertoire with a great sense of tonal color and interpretive clarity!

Kiri Te Kanawa does well by these songs, avoiding the billowing excesses of sentiment that in other hands (or vocal chords) can make them sound much too soggy. Although Berlioz gathered them all together under the present title, all of the songs were composed at different times for different singers, so they aren't really a cycle at all. I seldom listen to all of them at once, and you should feel free to take them in any order that suits you. "The Death of Cleopatra" is an early cantata that perfectly suits Jessye Norman's stately delivery. She's always at her best playing royalty, and if they're dying in mortal agony, so much the better.