Pmf Chocolate Kings

This album marked a continued maturing of both PFM's style and their presence in the Anglophone market. It benefits from Premoli's high-speed Hammond organ and synth runs on such all-out prog assaults as the conclusion of "From Under," as well as Mussida's gentle acoustic guitar lines on slower numbers like "Harlequin."…

This album marked a continued maturing of both PFM's style and their presence in the Anglophone market. It benefits from Premoli's high-speed Hammond organ and synth runs on such all-out prog assaults as the conclusion of "From Under," as well as Mussida's gentle acoustic guitar lines on slower numbers like "Harlequin." The reissue of Chocolate Kings contains a bonus disc with several songs from previous releases, next to the material of Chocolate Kings. The recordings from a gig at the University of Nothingham, May 1st 1976 contains live versions of Four Holes In The Ground, Mr. Nine Till Five and Alta Loma Five’Till Nine/William Tell Overture.

This album marked a continued maturing of both PFM's style and their presence in the Anglophone market. It benefits from Premoli's high-speed Hammond organ and synth runs on such all-out prog assaults as the conclusion of "From Under," as well as Mussida's gentle acoustic guitar lines on slower numbers like "Harlequin." The reissue of Chocolate Kings contains a bonus disc with several songs from previous releases, next to the material of Chocolate Kings. The recordings from a gig at the University of Nothingham, May 1st 1976 contains live versions of Four Holes In The Ground, Mr. Nine Till Five and Alta Loma Five’Till Nine/William Tell Overture.

This album marked a continued maturing of both PFM's style and their presence in the Anglophone market. It benefits from Premoli's high-speed Hammond organ and synth runs on such all-out prog assaults as the conclusion of "From Under," as well as Mussida's gentle acoustic guitar lines on slower numbers like "Harlequin." The reissue of Chocolate Kings contains a bonus disc with several songs from previous releases, next to the material of Chocolate Kings. The recordings from a gig at the University of Nothingham, May 1st 1976 contains live versions of Four Holes In The Ground, Mr. Nine Till Five and Alta Loma Five’Till Nine/William Tell Overture.

This album marked a continued maturing of both PFM's style and their presence in the Anglophone market. It benefits from Premoli's high-speed Hammond organ and synth runs on such all-out prog assaults as the conclusion of "From Under," as well as Mussida's gentle acoustic guitar lines on slower numbers like "Harlequin." The weak point, as in some of PFM's other productions, is in the vocals…

This album marked a continued maturing of both PFM's style and their presence in the Anglophone market. It benefits from Premoli's high-speed Hammond organ and synth runs on such all-out prog assaults as the conclusion of "From Under," as well as Mussida's gentle acoustic guitar lines on slower numbers like "Harlequin." The reissue of Chocolate Kings contains a bonus disc with several songs from previous releases, next to the material of Chocolate Kings. The recordings from a gig at the University of Nothingham, May 1st 1976 contains live versions of Four Holes In The Ground, Mr. Nine Till Five and Alta Loma Five’Till Nine/William Tell Overture.

When it comes to good time R&B played by top class musicians, you can’t beat the sound of Bill Wyman’s Rhythm Kings. After Bill quit the Rolling Stones in 1993, the bass player set about forming his own all-star band. As well as touring the world, the Rhythm Kings released a succession of fine albums, beginning with ‘Struttin’ Our Stuff’ in 1998. We have selected the hottest tracks from this debut album, as well as songs from subsequent albums ‘Anyway The Wind Blows’, ‘Double Bill’, ‘Groovin’ and ‘Just For A Thrill’.

After ten years of playing in the streets, at weddings, and in restaurants, the Gipsy Kings were swept away in a feast of commercial and critical success in the late '80s. By the late '90s, they had sold over 15 million albums worldwide and become one of the best-selling all-Spanish language acts in U.S. history. Their Greatest Hits collection, released in 1998, aptly reflects the time-perfected technique and soulful delivery that allowed them to transcend ethnic and age differences as few bands have. The introductory sequence of songs simply explodes out of the blocks. If consecutive hip-shakers "Djobi, Djoba," "Baila Me," "Bamboleo," "Pida Me La," "Bem, Bem, Maria," and "Volare" don't have you at least tapping your feet, someone ought to take your pulse.