Pogorelich 2024

For the third album collection of the Joni Mitchell Archives project, The Asylum Albums (1976-1980) covers what is arguably the knottiest and most challenging period in a career known for being knotty and challenging. While there are certainly fans who have a preference for Mitchell's diaristic/post-folk sounds of the late '60s/early '70s Reprise era or the exploratory fusions of pop and jazz of her first three Asylum albums, most of those fans can find space to love all (or at least most) of the work she released between 1968 and 1975.

The sonatas and partitas for solo violin (BWV 1001–1006) are a set of six works composed by Johann Sebastian Bach. They are sometimes referred to in English as the sonatas and partias for solo violin in accordance with Bach's headings in the autograph manuscript: "Partia" (plural "Partien") was commonly used in German-speaking regions during Bach's time, whereas the Italian "partita" was introduced to this set in the 1879 Bach Gesellschaft edition, having become standard by that time. The set consists of three sonatas da chiesa in four movements and three partitas (or partias) in dance-form movements. The 2nd Partita is widely known for its Chaconne, considered one of the most masterly and expressive works ever written for solo violin.

Zenzile Miriam Makeba, nicknamed Mama Africa, was a South African singer, songwriter, actress, and civil rights activist. Associated with musical genres including Afropop, jazz, and world music, she was an advocate against apartheid and white-minority government in South Africa.

Ray Charles’ recordings spanned every genre of music including Rhythm & Blues, Jazz, Rock & Roll, Gospel and Country & Western. We’re all familiar with such hits like “Georgia On My Mind.” “Hit The Road Jack” and “America The Beautiful.” But Ray’s catalog also includes a huge collection of other “classically Ray” recordings that may not be as well known such as “Come Live With Me,” “A Song For You” and many others.

When Fleetwood Mac finished touring for Tusk in 1980, guitarist Lindsey Buckingham wasted no time jumping back into the studio, recording nearly all the instruments for his 1981 solo debut, Law and Order. Before the turn of the century, Buckingham added two more albums to his discography – Go Insane and Out of the Cradle – along with a string of memorable songs for films, including “Holiday Road” from National Lampoon’s Vacation (1983).

The Magic Flute (German: Die Zauberflöte), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled The Magic Flute Part Two.

When Fleetwood Mac finished touring for Tusk in 1980, guitarist Lindsey Buckingham wasted no time jumping back into the studio, recording nearly all the instruments for his 1981 solo debut, Law and Order. Before the turn of the century, Buckingham added two more albums to his discography – Go Insane and Out of the Cradle – along with a string of memorable songs for films, including “Holiday Road” from National Lampoon’s Vacation (1983).

Zenzile Miriam Makeba, nicknamed Mama Africa, was a South African singer, songwriter, actress, and civil rights activist. Associated with musical genres including Afropop, jazz, and world music, she was an advocate against apartheid and white-minority government in South Africa.

Eugene Ormandy was a Hungarian-born American conductor and violinist, best known for his association with the Philadelphia Orchestra, as its music director. His 44-year association with the orchestra is one of the longest enjoyed by any conductor with any American orchestra. Ormandy made numerous recordings with the orchestra, and as guest conductor with European orchestras, and achieved three gold records and two Grammy Awards. His reputation was as a skilled technician and expert orchestral builder.

For the third album collection of the Joni Mitchell Archives project, The Asylum Albums (1976-1980) covers what is arguably the knottiest and most challenging period in a career known for being knotty and challenging. While there are certainly fans who have a preference for Mitchell's diaristic/post-folk sounds of the late '60s/early '70s Reprise era or the exploratory fusions of pop and jazz of her first three Asylum albums, most of those fans can find space to love all (or at least most) of the work she released between 1968 and 1975.