Porcupine Tree

Deluxe limited edition 13 CD box set chronicling the evolution of Porcupine Tree, bringing together all of the band's recordings issued by the Delerium label between 1992-97.

Porcupine Tree were an English progressive rock band formed by musician Steven Wilson in 1987. The band began essentially as a solo project for Wilson, who created all of the band's music. By late 1993, however, he wanted to work in a band environment, bringing on frequent collaborators Richard Barbieri as keyboardist, Colin Edwin as bassist, and Chris Maitland as drummer to form the first permanent lineup…

Remastered in 2015 by Steven Wilson. Porcupine Tree's debut is really one big in-joke, which actually makes for a better reason to record something that pretends to be profoundly deep through and through. As released, it doesn't make mention of the tracks' origins as the supposed product of a mysterious cult psych/prog rock band, but the packaging and artwork (even the fonts) would make the Dukes of Stratosphear proud. Steven Wilson's singing is noticeably higher at points than it would be in later years - chalk it up to his relative youth or a desire to sound appropriately wispy (or on the lovely "Nine Cats," like David Gilmour). On a sheer technical level, though, Wilson can't be beat. Recording and producing his material solo (outside of a couple of guest appearances) before the big '90s revolution in home recording quality, he easily reaches the depth and reach of bands who could spend many times more to reach the same sound…

Porcupine Tree were an English progressive rock band formed by musician Steven Wilson in 1987. The band began essentially as a solo project for Wilson, who created all of the band's music. By late 1993, however, he wanted to work in a band environment, bringing on frequent collaborators Richard Barbieri as keyboardist, Colin Edwin as bassist, and Chris Maitland as drummer to form the first permanent lineup…

Porcupine Tree's first album for K-Scope/Snapper starts out with a definite bang - "Even Less," with some of the quartet's biggest, blasting rock epic music yet, yet also shot through with the gentler, acoustic side that makes Porcupine Tree so intimate and lovely. The net result easily calls Yes to mind, but Steven Wilson's not so high-pitched as Jon Anderson and Richard Barbieri completely avoids Rick Wakeman's extreme idiocies - prog that knows when less is more. With that as a fine signal for the album as a whole, Stupid Dream takes it from there - Wilson as a songwriter and singer both sounds recharged and more ambitious, while the group collectively pours it on. The loud passages feel truly sky-smashing, the calmer ones perfectly close, and the overall sense of build and drama - "A Smart Kid" is a fine example - spot-on…

Some older fans looked askance at Lightbulb Sun, feeling it was verging on overt commercialism (and admittedly, the near power ballad solo on "Where We Would Be" is a bit odd!). Then again, given Wilson's own explorations of avant-garde pop with No-Man, who's to say why a slightly more radio-friendly stance can't work? "Shesmovedon" may have been a single, but there's no question who wrote and performed it - the elegant cascade of backing vocals on the chorus shows that much. Certainly Wilson hasn't turned into Max Martin or anything - it's still very much Porcupine Tree, in its lyrical turns of phrase and general sense of exploration. One of the best tracks on the album is the brilliantly titled "Four Chords That Made a Million," a barbed cut on some unnamed "emperor in new clothes" beset by a "moron with a cheque book"…

Ilosaarirock (also known as Transmission 10.1) is a live album by British progressive rock band Porcupine Tree, released in March, 2009. It was sent out only to members of the Residents of a Blank Planet ticketing club and is not commercially available…

"XM" was recorded live at XM Satellite Radio Performance Studio One, Washington DC, USA, 12th November 2002. On "XM" Porcupine Tree features a 5 piece touring line up including special guest John Wesley on guitar and backing vocals…

Some older fans looked askance at Lightbulb Sun, feeling it was verging on overt commercialism (and admittedly, the near power ballad solo on "Where We Would Be" is a bit odd!). Then again, given Wilson's own explorations of avant-garde pop with No-Man, who's to say why a slightly more radio-friendly stance can't work? "Shesmovedon" may have been a single, but there's no question who wrote and performed it – the elegant cascade of backing vocals on the chorus shows that much…

Over the years, trying to determine what is true "prog rock" and what is not has become an increasingly tricky proposition. In the early '70s, it was easy – any band that performed "suites" that extended across entire album sides and dressed in capes and/or cloaks was a dead giveaway…