Portis Head

Michael Head, former frontman of the Pale Fountains and current co-leader along with his brother John – who is also a Strand – of Brit pop outfit Shack, turns in a stellar chamber pop performance with Magical World of the Strands. Head, who is no stranger to either classy, baroque pop or neo-psychedelia, has composed an album of gorgeously illustrated songs that are lushly orchestrated by a standard rock quartet augmented by a flutist (Leslie Roberts) and a string quartet. The result is an album that, while little known, is a classic, a masterpiece of modern chamber pop.

Finding that luck, love and letting things roll works out for him just fine, Michael Head leads his Red Elastic Band into a fresh chapter with optimism and some of the best music of his career, with his new, Bill Ryder-Jones-produced album, Dear Scott via Modern Sky UK.

Head East went through several lineups and musical approaches before consolidating in St. Louis in the early '70s as a hard rock quintet consisting of John Schlitt (vocals), Mike Somerville (guitar), Roger Boyd (keyboards), Dan Birney (bass), and Steve Huston (drums), all alumni of the University of Illinois. They recorded their debut album, Flat as a Pancake, independently and released it on their own Pyramid Records label in early 1975…

African Head Charge return to On-U Sound with their first new album in twelve years. Titled A Trip To Bolgatanga, the recordings are led by founder member Bonjo Iyabinghi Noah, with close friend and co-conspirator Adrian Sherwood once again at the controls. A Trip to Bolgatanga is a stunning return, bringing together the talents of two masters who, after a hiatus, have created a rich album brimming with ideas and executed with finesse.

Not very many reggae albums acknowledge Alan Lomax in the credits. But then, African Head Charge (a band with a constantly changing membership led by percussionist Bonjo Iyabinghi Noah) doesn't really make typical reggae albums. Although the one-drop beat (provided on this album by Lincoln "Style" Scott) influences everything and the basslines have a typical tidal undertow, the stuff that Noah layers on top of the mix has more to do with ethnomusicology than the dancehall. The song titles say it all: "Cattle Herders Chant," a field recording of call-and-response chanting overlaid with Nyahbinghi drums and highlife guitar; "My God," eerie, minor-key African-American church singing supported by a chugging reggae bassline, bare-bones drumming, and the sound of running water; "Deer Spirit Song," an unidentifiable indigenous song in 9/8 meter with a gently driving rockers beat and occasional sound effects thrown in. This is an exceptionally beautiful album, but in a deeply strange way.

Flamborough Head from Holland was formed in 1995 and they took their name after a cliff on the East Coast of England. They are playing modern melodic symphonic neo-progressive rock, and their debut CD is a symphonic masterpiece with long beautiful tracks. The musicians are very tight and their keyboard-based music is reminiscent to bands like Camel, Emerson, Lake & Palmer, Genesis, IQ, Marillion, Pendragon, Pink Floyd.

Recorded in the summer of 1972 and released the following year, Nigel Lived is Murray Head's first solo LP. A rarity for this singer, it takes the form of a concept album. A songwriter found the diary of a stranger and wrote songs out of some fragments. The booklet reproduces pages of the fake diary along with the lyrics, weaving a believable fiction that helps in distancing or objectifying the autobiographical nature of the songs.