Portis Head

Hit to Death in the Future Head is the fifth studio album by American rock band The Flaming Lips, released on August 11, 1992 by Warner Bros. Records. "Talkin' 'Bout the Smiling Deathporn Immortality Blues (Everyone Wants to Live Forever)" was released as the lead track on the EP Yeah, I Know It's a Drag… But Wastin' Pigs Is Still Radical to promote the album. The title provided the inspiration for the name of the British band The Futureheads.

Obscure, eclectic band from New York, active in the 60s and 70s. Their music spanned many popular genres of the time, including blues, southern rock and psych…

Head Hunters was a pivotal point in Herbie Hancock's career, bringing him into the vanguard of jazz fusion. Hancock had pushed avant-garde boundaries on his own albums and with Miles Davis, but he had never devoted himself to the groove as he did on Head Hunters. Drawing heavily from Sly Stone, Curtis Mayfield, and James Brown, Hancock developed deeply funky, even gritty, rhythms over which he soloed on electric synthesizers, bringing the instrument to the forefront in jazz. It had all of the sensibilities of jazz, particularly in the way it wound off into long improvisations, but its rhythms were firmly planted in funk, soul, and R&B, giving it a mass appeal that made it the biggest-selling jazz album of all time (a record which was later broken)…

Ultimate & most wanted japanese rare groove recorded by the saxophonist Jiro Inagaki, one of the main actor of the Japanese Jazz Rock & Progressive scene. In 1963, Jiro Inagaki was recruited by Helen Merrill for her first album recorded in Japan, "In Tokyo" with the Takeshi Inomata's West Liners group, and later formed various jazz band as the All-Stars, The (Black) Rhythm Machine or, of course, The Soul Media. Recorded in 1969 and released under the famous Takt Jazz Series from Nippon Columbia, Head Rock includes psychedelic guitar effects, great drum breaks, acid & electronic organ sounds, performed by The Soul Media, featuring some future japanese jazz great names, such as Ryo Kawasaki (in his first professional appearance), Yasuo Arakawa, Masaru Imada or Tetsuo Fushimi. Titles includes cover & original songs from Hal Galper (The Vamp), and Willie Dixon (an amazing version of Spoonful), five composed by Ryo Kawasaki (Twenty One), Masaru Imada (High Jack), Yasuo Arakawa (The Ground For Peace) and Jiro (Head Rock). All tracks arranged by Jiro Inagaki.