This blessed collection of unreleased demos, recorded by Prince to cassette in a single take, is enthralling. It plays like both omen and artifact of his hit-making power.
Where once was Superwolf, now roam Superwolves, the new album and demon spawn of Matt Sweeney and Bonnie ‘Prince’ Billy.
Parade: Music from the Motion Picture Under the Cherry Moon is a 1986 album by Prince and The Revolution. It was the follow-up to Around the World in a Day and the soundtrack to Prince's second film. The album sees Prince further diversifying musically, adding orchestrations to his music and presenting a very European feel. Prince also displayed a new image with Parade: his trademark ruffled shirts, wild curly hair, and purple outfits which defined his look from 1981's Controversy to 1985's Around the World in a Day gave way to slicked-back hair and dress suits. Even though the single, "Kiss", was a number one hit, the album as a whole was not well-received in the U.S. Europe, however, embraced the album, and for the first time in Prince's career, European album sales eclipsed those in the U.S. This was Prince's final album released with The Revolution.
Bonnie “Prince” Billy stays busy - in the past five years he has released albums of previously-recorded songs by Susanna Wallumrod, Mekons, Merle Haggard; even himself, and a collaborative record with Bitchin Bajas. The only thing he hasn't done is a new album of Bonny originals - in case you weren't counting, 2011's Wolfroy Goes To Town was the last one. That's from the first half of the Obama presidency!
There are some that will scoff at the very idea of a comprehensive, three-disc box set overview of Adam Ant's career, dismissing him as nothing more than a new wave fad. Let 'em laugh, since Antbox proves that he, along with trusty guitarist sidekick Marco Pirroni, was a post-punk heavyweight, adept at creating claustrophobic dark angular tunes and giddy glam revivals with equal vigor…
Prince's new album opens with allusions to "1999" and "Let's Go Crazy." But it's less a re-creation of those Eighties classics than an attempt by the more restless-minded Prince of today to reimagine the funky precision and effortless mastery of his glory days in new ways. It might be the most collaborative album he's ever made, with a bevy of guest musicians and vocalists — most prominently co-writer/co-producer Joshua Welton and, on one song, the backing band 3rdeyegirl, who worked with Prince on 2014's willfully eclectic Art Official Age and Plectrumelectrum.