Procol Harlum

New expanded 3CD edition of the classic 1975 album by Procol Harum, with eight bonus tracks (five previously unreleased) of session out-takes, along with two previously unreleased concert recordings made at the Capitol Theater, Passaic, New Jersey & Leicester University in October & November 1975. Includes a lavishly illustrated booklet with essay by Procol Harum authority Roland Clare featuring exclusive interview quotes from Gary Brooker and Mick Grabham.
Released in August 1975 the album was the product of a series of recording sessions at The Who’s Ramport Studios in Battersea, produced by the legendary American song writing and producing team of Jerry Leiber and Mike Stoller. Procol’s Ninth was another fine collection of material written by Gary Brooker and lyricist Keith Reid, with such memorable tracks as Pandora’s Box…

Esoteric Recordings are proud to announce the release of a newly re-mastered and expanded edition of the classic 1969 album A Salty Dog by Procol Harum. Released in June 1969, the record followed on from the huge international success of the band's debut single A Whiter Shade of Pale and the follow up single Homburg and the superb albums Procol Harum and Shine On Brightly. One of the finest releases of the era A Salty Dog saw the exquisite song writing of Gary Brooker and Keith Reid honed to perfection on highlights such as the album's title track, The Devil Came From Kansas, Wreck of the Hesperus, The Milk of Human Kindness and more. Recorded at Abbey Road studios, the album captured the excellence of the musicians in the group, namely Gary Brooker (voice, piano), Robin Trower (lead guitar), David Knights (bass guitar), B.J. Wilson (drums) and Matthew Fisher (Hammond organ)…

This whole album was an afterthought – Procol Harum had been invited to play a concert with the Edmonton Symphony Orchestra and the Da Camera Singers in Edmonton, Alberta, Canada, in August of 1971, at the tail-end of their last tour with Robin Trower in the lineup. Amid all of the preparation – including the writing of new orchestral arrangements by Gary Brooker and with a new lead guitarist, Dave Ball, just joining the lineup – Brooker decided that it might be a good idea to preserve a professionally made tape of the show and suggested that A&M Records, to which they were signed, might want to record the performance; the label agreed with just a week to go until the concert.

Procol Harum's debut album is amazingly engaging, considering that it was rushed out to capitalize on the hit title track. The material was all already written (before the hit, in fact), but the group recorded the LP in just two days, simply to get a long-player out, and came up with one of the more pleasingly straightforward releases in their history…

The Prodigal Stranger is the tenth studio album by Procol Harum, released in 1991. The album is dedicated to the memory of Barrie James (B. J.) Wilson, who had been the drummer on all of the group's previous albums. Recorded after a 14-year break, even singer Gary Brooker was uncertain whether or not the sessions would work out for the band: "We never knew if it would work out, but we did know one thing and that was that the basis of us making the new Procol Harum record would be if we could get together a good set of songs…it was very like making a first album."…

Fifty years after "Whiter Shade of Pale" introduced the concept of progressive rock, Procol Harum roll on, even with singer and pianist Gary Brooker as the only remaining original member. Novum is their first new studio album in 14 years. Their last, 2003's The Well's on Fire, marked the end of the decades-long writing partnership between Brooker and lyricist Keith Reid. Organist Matthew Fisher and drummer Mark Brzezicki left shortly thereafter. Brooker still had guitarist Geoff Whitehorn and bassist Matt Pegg. They recruited organist Josh Phillips and drummer Greg Dunn. This version has been together for a decade.
Novum is a worthy 50th anniversary offering (though it's not, as Brooker claims, Procol's finest). This is the sound of a working band, not a tired reunion project…

After the multi-million selling "A Whiter Shade of Pale," Procol Harum coalesced around a new lineup and cut a debut album in two days, the sales of which were only fair (because the hit song wasn't on it originally). Then they did Shine on Brightly, which initially drew on recordings going back to late 1967 – in the course of preparing their first proper LP, the band junked an entire side of blues-based numbers in favor of the 18-minute suite "In Held 'Twas I," which rivaled anything yet heard from such established progressive rock outfits as the Nice or the Moody Blues in length and surpassed them in audacity, with an extensive spoken part surrounded by virtuoso classical and psychedelic passages (and even a featured spot for Dave Knights' bass).