For nearly 50 years, the immense scope and influence of Ry Cooder‘s music has perhaps been felt as much, or more than heard. As musician, producer, songwriter and sage, the Santa Monica, California native has explored music and culture from across the city, the state, the country and around the world.
Listen as Niklas Willén teases the skittish polka (No. 6) from Alfvén's 'The Prodigal Son' ballet suite, or steers his players through the vehement fugue that rounds out his Symphony No. 2, and you'll appreciate why this release commands unreserved praise. Ireland's NSO gives superlative performances, worthy alternatives to Neeme Jarvi's coolly efficient Royal Stockholm Philharmonic accounts on BIS. These works come to life in Willén's hands. For example, he infuses the third section (a festive march) of the ballet music with the requisite proud swagger, while the national dances that follow are engagingly characterised.
Stanley Turrentine is generally pegged as a soul-jazz man but also has proven quite adept in several other styles of modern jazz, as heard on this diverse compilation of tunes from three initially unreleased Blue Note dates with a larger ensemble. While hitting up a handful of the pop tunes of the day, Turrentine shows he is interested in and capable of tackling more modern compositions, with the vibrant and exciting assistance of pianist McCoy Tyner, also not a slouch when soul-jazz is placed in front of him. That Turrentine plays a most enjoyable fluid, tuneful, and tonic tenor saxophone has never been questioned, but what he adds in value as a leader on these tracks further cements his estimable reputation…