Protege Open Source

Learn Protege - Ontology Editor - Through Pizza.Owl Tutorial  eBooks & eLearning

Posted by ELK1nG at March 27, 2024
Learn Protege - Ontology Editor - Through Pizza.Owl Tutorial

Learn Protege - Ontology Editor - Through Pizza.Owl Tutorial
Published 3/2024
MP4 | Video: h264, 1920x1080 | Audio: AAC, 44.1 KHz
Language: English | Size: 1.69 GB | Duration: 2h 55m

Learn Protégé (Open Source Ontology Editor) by Practicing on Ontology Modeling

Sécuriser WordPress : apprendre à le faire comme un Pro  eBooks & eLearning

Posted by Sigha at April 23, 2022
Sécuriser WordPress : apprendre à le faire comme un Pro

Sécuriser WordPress : apprendre à le faire comme un Pro
Video: .mp4 (1280x720, 30 fps(r)) | Audio: aac, 44100 Hz, 2ch | Size: 1.28 GB
Genre: eLearning Video | Duration: 29 lectures (2 hour, 51 mins) | Language: Français

Comment sécuriser votre site WordPress avec les bonnes pratiques, les bon plugins, et les conseils qu’il faut.
John Cale - Seducing Down the Door: A Collection 1970 - 1990 (1994)

John Cale - Seducing Down the Door: A Collection 1970 - 1990 (1994)
EAC Rip | FLAC (tracks, cue, log) - 919 MB | MP3 CBR 320 kbps - 355 MB
2:34:30 | New Wave, Art Rock, Avantgarde, Ballad | Label: Rhino

Welsh composer, viola terrorist, and art rocker John Cale remains a unique link between "dirty ass rock & roll" (as one '70s mission statement was titled), the avant garde and classicism–a droll, thoughtful musician who studied with John Cage, joined the Velvet Underground, and went on to craft a series of often divergent post-Velvets solo projects. Early projects that confronted the clash of classicism and pop head-on, like The Academy In Peril and the classic Paris 1919, which mixed string sections with electric slide guitars, gave way to more stripped-down, primal rock in the '70s, but Cale's music has always left a door open to musical and thematic invention. This intelligently assembled two-CD anthology offers a smart entry point into a beguiling maze of Cale personae. –Sam Sutherland
Barbara Christina Steude, Concerto Con Voce, Jan Katzschke - Johann Kuhnau, Vincenzo Albrici: Soprano Cantatas (2010)

Johann Kuhnau, Vincenzo Albrici: Soprano Cantatas (2010)
Barbara Christina Steude, soprano; Concerto Con Voce; Jan Katzschke, director

EAC | FLAC | Image (Cue&Log) ~ 336 Mb | Mp3 (CBR320) ~ 177 Mb | Scans included
Genre: Classical, Baroque, Vocal | Label: CPO | # CPO 777 531-2 | Time: 01:07:32

Johann Kuhnau owes his fame today mainly to the fact that he was Bach's predecessor as cantor at St. Thomas's in Leipzig. The 17th and 18th centuries meet in Kuhnau's cantatas, where a heavily text-bound musical language following on from the Schütz tradition is combined with Italian melodies and a late-baroque spaciousness – a combination especially delightful to today's ears. Rounding off the CD are cantatas by Kuhnau’s close friend Vincenzo Albrici.
Zak Ozmo - Vincenzo Galilei: The Well-tempered Lute - Libro d'intavolature di liuto (2016)

Žak Ozmo - Vincenzo Galilei: The Well-tempered Lute - Libro d'intavolature di liuto (2016)
EAC | FLAC | Image (Cue&Log) ~ 247 Mb | Mp3 (CBR320) ~ 149 Mb | Scans included
Genre: Classical | Label: Hyperion | # CDA68017 | Time: 01:03:01

This recording of lute music may be of most interest to fans of the lute and of the Renaissance-Baroque transition era, but it will be of considerable interest to them: it marks the first recording of the Libro d'intavolature di liuto, or Book of Lute Tablatures, of Vincenzo Galilei (1584). Galilei was the father of none other than astronomer Galileo. The work is given the title The Well-Tempered Lute here; that was not Galilei's title, but the music was apparently the first collection intended to demonstrate the possibilities of equal temperament that Bach would exploit so dramatically a century and a half later. Some scholars have opined that this was a primarily theoretical work; as music, it is both technically difficult and a little monotonous, consisting of groups of dances that may or may not have been danced to. Lutenist Žak Ozmo makes a good case for these little pieces as performer's music, differentiating learned counterpoint from works of a more expressive character.