Semele is a masterpiece. For what else can one call a drama in which the perfect symbiosis of text and music conjures up such suggestive power? ‘To hold the mind, the ears and the eyes equally spellbound’: this recommendation by La Bruyère (Les Caractères: ‘Les ouvrages de l'esprit’) refers to the ‘machine plays’ so adored by the public in the Baroque period. But even without machinery or indeed without sets or real staging, Handel’s oratorio involves us in the tragic fate of his heroine with supreme skill.
For their latest album, Neeme Järvi and his Estonian National Symphony Orchestra present a delightful programme of lesser-known stage music from the nineteenth and early twentieth centuries. The Overtures by Thomas, Auber and Boieldieu were all composed for works staged at the Opéra-Comique in Paris, and are wonderful examples of the period.
Following the success of their last album, ‘Timelapse’, this new album from Orchestra of the Swan is a collection of extraordinary works connected by ideas of pilgrimage, contemplation, exploration and enlightenment through the works of composers such as Richter, Respighi, Britten, Piazzolla, Brian Eno, Nico Muhly, Joy Division and more.
Donizetti's three-act tragic opera Belisario was a resounding success in its day, driven by its composer’s superlative theatrical instinct and his skilful interweaving of intense tragic narrative and emotional pathos. Belisario is betrayed by his wife Antonina, who falsely accuses him of high treason. Belisario is blinded and exiled, with proof of his innocence coming too late, and is mortally wounded during a final military victory. This production was performed and recorded without an audience in Bergamo during the Covid-19 lockdown in November 2020 – a moving performance reflecting a spirit of defiance amidst ruin and darkness.
This disc of orchestral showpieces features four of the five members of the Mighty Handful, a group of Russian composers who, during the second half of the 19th century, collaborated to create a distinct national style. The recorded works illustrate different aspects of their endeavors - both in terms of the musical means they employ and their subject matter.