Putumayo Afro Cubano

This Afro-Cuban-flavored set features a leaderless all-star sextet consisting of tenor saxophonist Gato Barbieri (who is showcased on around half of the selections), vibraphonist Mike Mainieri, pianist Bob James, bassist Andy Gonzalez, drummer Lenny White, and percussionist Steve Berrios. "Cubano Chant" and Horace Silver's "Nica's Dream" are performed along with some more recent pieces, falling into the general area of Cubop. Everyone fares well, with Barbieri emerging as the main star.

Putumayo Presents: Brazilian Beat features 11 tracks that cover the spectrum of MPB, or Brazilian popular music, in its current forms. Of course, bossa nova and samba are here, virtually part of the nation's musical DNA by now. Some of it's not even Brazilian – BungaLove, for example, are Italian, but play perfectly convincing Brazilian music, while singer Monica da Silva was born in the U.S. yet manages a laid-back, suave groove on "Ai Então." There's plenty of Brazilian-flavored funk, with both Bruna Caram and Rogê carrying on and updating the '70s sound, adding more beats to the mix. What's apparent from this selection is that there is plenty of good Brazilian music around, building on the traditions that have been forged over the years, and that in artists like Tita Lima and Fino Coletivo the future is in sure hands.

Featuring prime Latin jazz cuts from the heyday of the mambo, Afro Cuban Jazz: 1947-1960 is really a better than average showcase for one of the music's best: Machito. In fact, this disc contains 13 sides by Machito & His Orchestra, including two bebop gems featuring Charlie Parker ("Mango Mangue," "No Noise, Pts. 1-2"). That's not to overlook the presence of one of the supreme champions of Latin jazz, Dizzy Gillespie ("Manteca"), Stan Kenton and his mathematically frenetic bongo jams, and J.J. Johnson and Kai Winding teaming up for a couple of classics. Truthfully, however, the real meat here is heard on such Machito dancefloor fillers as "Oyeme" and "Minor Rama." So, when you've got a jones for jazz in a mambo mood, this disc will provide the needed salve.

Duke Ellington and Billy Strayhorn combined old and new compositions to create the album Afro-Bossa, a suite consisting of a dozen pieces that was never performed in its entirety in concert, though several of the works remained in the band's repertoire. The title cut is a new work, though the "Bossa" does not refer to Brazilian music; instead, it is a mix of African and Latin influences that slowly builds with insistent percussion to a blazing finale of brass and reeds. "Purple Gazelle" (which was also recorded as "Angelica" in Ellington's small group session with John Coltrane, was described by the pianist as a "ragtime cha-cha." Cootie Williams (on muted trumpet), Ray Nance, Paul Gonsalves, and the composer are all featured soloists…

Strut continue their essential work with the “Godfather Of Ethio Jazz”, Mulatu Astatke, with the first official reissues of his early classics ‘Afro Latin Soul’ Volumes 1 and 2 from 1966, recorded as The Ethiopian Quintet.

GRAMMY-winning composer, bandleader, and pianist Arturo O’Farrill has fulfilled what he calls “a lifelong dream” with his signing to Blue Note Records and the release of his Blue Note debut …dreaming in lions… The album finds O’Farrill leading a colorful 10-piece assemblage he calls The Afro-Latin Jazz Ensemble, a scaled-down edition of his renowned Afro-Latin Jazz Orchestra. The program encompasses two inspired multi-movement suites that O’Farrill has conceived in collaboration with the Cuban Malpaso Dance Company: “Despedida,” a meditation on farewells, and “Dreaming in Lions,” inspired by Ernest Hemingway’s novella The Old Man and the Sea.