Quentin Tarantino

Music from and inspired by his films - 3 double-CDs in a deluxe limited edition boxset. Each of the double CDs was released earlier and has own catalog number. Rediscover the best of QUENTIN TARANTINO's filmography including the films "Kill Bill", "Pulp Fiction", "Inglorious Basterds", "Reservoir Dogs" or "Jackie Brown", through this splendid 6CD box set from the Music Brokers label. We will find here only the official music with artists including Nancy Sinatra, Urge Overkill, Joe Cocker, Johnny Cash, Serge Gainsbourg, Guy Mitchell, The Coasters, Woody Guthrie and many others!

Ennio Morricone’s work on The Hateful Eight aside, most of Quentin Tarantino’s movies famously don’t have much in the way of traditional scores. The songs that have played a starring role in so many of his iconic scenes aren’t original compositions—they’re vintage gems, often dug up from the crates by the director himself. The music from Once Upon a Time in Hollywood, captured on this soundtrack, is a prime example. Like the film itself, the songs—from José Feliciano’s cover of “California Dreamin’” to Vanilla Fudge’s take on “You Keep Me Hangin’ On”—are a time capsule of late-’60s Los Angeles, tracks Tarantino himself heard on the radio growing up in the city’s South Bay region (although there are, as usual for the director, lots of deeper cuts, like The Box Tops’ “Choo Choo Train”).

Ennio Morricone 's compilation album from Quentin Tarantino's films including Django, Kill Bill and Inglourious Basterds.

This compilation of Ennio Morricone music features twelve re-recordings by the Solisti E Orchestre Del Cinema Italiano, all of which have appeared (in their original forms) in the Quentin Tarantino films Grindhouse: Deathproof, Kill Bill Vol. 2 and Inglorious Basterds. The renditions themselves are impeccable, utilizing the same analogue recording techniques that spawned the originals. While it was smart not to go with more recognizable fare like the vocal/electric guitar versions of Navajo Joe or The Good, The Bad and the Ugly (both are represented here by their quieter, more orchestral movements), the overall effect seems superfluous, as die-hard fans of both the composer and the director will likely seek out the real thing.

This 14-track collection brings together some of the more notable entries from the soundtracks of the Quentin Tarantino films Reservoir Dogs, Pulp Fiction, Natural Born Killers and True Romance, with a running commentary through this disc from the director himself. The featured songs include "Misirlou' by Dick Dale, "A Little Bitty Tear" by Burl Ives, "Stuck in the Middle with You" by Stealer's Wheel, "You Never Can Tell" by Chuck Berry, "Sweet Jane" by the Cowboy Junkies, "Dark Night" by the Blasters, "Foolish Heart" by the Mavericks, "Girl, You'll Be a Woman Soon" by Urge Overkill and "Graceland" by Charlie Sexton.