First and foremost, Quincy Jones is a musician, composer and arranger of some of the finest music of the 20th Century, and this 4 CD Set houses his very finest work. Eight original albums released by Jones on Mercury and other labels between 1960 and 1963, on which he was leader or co-leader, remain, certainly for jazz fans, the great man’s finest hour. This set includes these integral albums in their entirety and in pristine re-mastered form, complete with full musician lists and release details, to make for perhaps the best collection yet of Quincy Jones’s jazz recordings which pre-date almost everything this giant of a man remains most famous for.
The Quintessence is perhaps the most accurate title ever given to a Quincy Jones & His Orchestra recording. Issued in 1961 for Impulse!, this is the sound of the modern, progressive big band at its pinnacle. Recorded in three sessions, the core of the band consists of Melba Liston, Phil Woods, Julius Watkins, and bassist Milt Hinton and pianist Patricia Brown on two sessions, with bassist Buddy Catlett and pianist Bobby Scott on another. The trumpet chairs are held alternately by players like Freddie Hubbard, Clark Terry, Thad Jones, and Snooky Young, to name a few. Oliver Nelson is here, as are Frank Wess and Curtis Fuller. Despite its brevity – a scant 31 minutes – The Quintessence is essential to any appreciation of Jones and his artistry. The deep swing and blues in his originals such as the title track, "Robot Portrait," and "For Lena and Lennie" create staggering blends.
In a career spanning over seven decades, Quincy Jones has earned his reputation as a renaissance man of American music. Since entering the industry as an arranger in the early 1950s, he has distinguished himself as a bandleader, solo artist, sideman, songwriter, producer, film composer, and record label executive. A quick look at a few of the artists he's worked with - Miles Davis, Frank Sinatra, Count Basie, Lesley Gore, Michael Jackson, Peggy Lee, Ray Charles, Paul Simon, and Aretha Franklin - reveals the remarkable diversity of his career. He has been nominated for a record 80 Grammy awards, and has won 27 in categories including Best Instrumental Jazz Performance for "Walking in Space" (1969), Producer of the Year (1981), and Album of the Year for Jackson's Thriller (1983) and his own Back on the Block (1990)…
Terrific, limited edition box set collecting all the recordings made by this one of a like group of superstar musicians including: Art Farmer, Phil Woods, Zoot Sims, Curtis Fuller, Phil Woods, Freddie Hubbard, Benny Golson, Art Blakey, and Hank Jones. The set includes 5 CDs covering all of his 1959-60 studio and 1961 live Mercury sessions, as well as an earlier set from 1956 for ABC-Paramount and a 1961 date for Impulse. Also includes an exhaustive essay by Brian Priestley and a complete discography, as well as many rare photographs by Chuck Stewart.
"Labor of love" is the inevitable phrase to describe this album on which composer/conductor/arrangers Quincy Jones and Sammy Nestico, both of whom wrote for Count Basie and His Orchestra, assemble a top-flight big band to perform some of their vintage charts. Despite the use of the bandleader's name in the title and the pictures of him with the two principals on the front and back of the album, the music is more "beyond" than "Basie." It is true that both Jones and Nestico are steeped in the Basie band's light, rhythmic approach to playing and their music is imbued with that style. But both are better understood as graduates of the Basie school than true adherents, people who have spent the better parts of their careers applying their knowledge of swing to other endeavors, notably film scores…
It was during the 1960s that Quincy Jones became a world renowned Jazz musician and composer of film soundtracks, but it was not until about the middle of the decade that success of this nature began to come his way, soon after he had composed the score for Oscar nominated The Pawnbroker. Indeed, during the first few years of the 1960s he lived as a working musician, bandleader and the musical director of Barclay Records - the French imprint of Mercury - but could barely earn enough to pay the bills. This however, did not prevent Quincy from continuing to perform and release music of a quite superlative nature.