Radam Schwartz

“Private Press: A custom-made record that is produced and released by the artists themselves, or their close associates. Not to be confused with indie labels who are in the business of releasing other people's music.” While the string of legendary independent labels, from Blue Note and Prestige to Steeplechase and Impulse! loom large in our ¬Spiritual Jazz catalogue, our latest instalment concerns the brave and innovative souls who acted ‘privately’, recording and releasing their music without the aid or involvement of a bona fide record company. Making a custom, private press record on your own, without the backing, status and business acumen of an established record company to help out is no mean feat, but it never really was difficult - it’s just a matter of spending money. And there has never been a shortage of studios & pressing plants willing to take your money! Easy done if you have funding in place of course, but the tricky bit, which remains to this day, is what to do exactly with a pallet load of vinyl that’s just been delivered to your door?

Charlie Apicella & Iron City are a torch bearer of the classic guitar/organ sound and 'Groove Machine' is a return to form for the New York guitarist's catchy, swinging original compositions. Straight out of the classic 1960's hard bop era and showcasing the band's deep interplay, the 3rd recording by Apicella, organist Radam Schwartz, saxophonist Gene Ghee, and drummer Alan Korzin, is packed with burning solos, Charlie's tight arrangements, and an unrelenting groove that defines the character of Iron City. Special guests include Freddie Hendrix on trumpet, Mayra Casales on congas and violinist Amy Bateman.

“Private Press: A custom-made record that is produced and released by the artists themselves, or their close associates. Not to be confused with indie labels who are in the business of releasing other people's music.” While the string of legendary independent labels, from Blue Note and Prestige to Steeplechase and Impulse! loom large in our ¬Spiritual Jazz catalogue, our latest instalment concerns the brave and innovative souls who acted ‘privately’, recording and releasing their music without the aid or involvement of a bona fide record company. Making a custom, private press record on your own, without the backing, status and business acumen of an established record company to help out is no mean feat, but it never really was difficult - it’s just a matter of spending money. And there has never been a shortage of studios & pressing plants willing to take your money! Easy done if you have funding in place of course, but the tricky bit, which remains to this day, is what to do exactly with a pallet load of vinyl that’s just been delivered to your door?

Charlie Apicella & Iron City are a torch bearer of the classic guitar/organ sound and Groove Machine is a return to form for the New York guitarist's catchy, swinging original compositions. Straight out of the classic 1960s hard bop era and showcasing the band's deep interplay, the third recording by Apicella, organist Radam Schwartz, saxophonist Gene Ghee, and drummer Alan Korzin, is packed with burning solos, Charlie's tight arrangements, and an unrelenting groove that defines the character of Iron City. Special guests include Freddie Hendrix on trumpet, Mayra Casales on congas and violinist Amy Bateman.