Few pianists have lived as long with Leonard Bernstein’s imposing and virtuoso Second Symphony as Krystian Zimerman. In the 1980s he often performed it with the composer as conductor, and he brings a wealth of experience to his playing. Less impetuous than some, Zimerman’s playing is wonderfully deep—he’s thought hard about the seething emotional life of the work, inspired by W.H. Auden’s long, angst-ridden poem. Rattle and the great Berlin Philharmonic add further depth plus a beautiful patina to the sound, and the recording is spectacularly well-handled with a real sense of perspective.
Assembling a compilation of the Beatles is a difficult task, not only because they had an enormous number of hits, but also because singles didn't tell the full story; many of their album tracks were as important as the singles, if not more so. The double-album 1962-1966, commonly called The Red Album, does the job surprisingly well, hitting most of the group's major early hits and adding important album tracks like "You've Got to Hide Your Love Away," "Drive My Car," "Norwegian Wood," and "In My Life."…
After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic…