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After Paganini and his Caprices (as well as his concerts, obviously for the soloist part), the violin wasn’t the same anymore: Paganini, besides launching an original new way of performing the violin, operated a synthesis between the Ancient and the Romantic styles, going beyond and anticipating our days as well. He started with the musical instruments he knew, like the mandolin (which he studied in his youth), the guitar (the six-chord one, which he never left), the grand viola (the five-chord instrument he had specially made) and the violin. He chose the mixed form of the Caprice, so that he could be free to use counterpoint, harmony, singability (from his knowledge of the Opera), imitation and, most importantly, rhythmic and tonal variety. From the Caprices we understand Paganini’s familiarity with Rossini, his deep knowledge of the Opera and of its world, and with Berlioz. Many Caprices take inspiration from a range of orchestral sounds (the flute, the horns, the fanfare) or imitate the mandolin. From a melody perspective, the Caprices astonish for their uniqueness and beauty. From the point of view of the harmonics, they mesmerize: they are masterpieces and Schumann was among the first ones to recognize them as such.

Christoph Hammer Conductor and fortepianist/harpsichordist Hammer creates historically informed performances, often highlighting lesser-known composers.

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Adam Harasiewicz is a Polish pianist who was a prominent figure on the concert and recording scene for much of the latter twentieth century. He has largely been associated with Chopin, whose works he recorded heavily and to great critical acclaim. He has often been mentioned with Argerich, Rubinstein, Zimerman, and Cortot as among the leading interpreters of Chopin's music. While he has played the works of many other composers, most notably Brahms and Szymanowski, he developed the reputation early on as a Chopin specialist, a status that may have limited his career but one in which he was complicit in cultivating.

25 is the third studio album by English singer-songwriter Adele, released on 20 November 2015 by XL Recordings and Columbia Records. The album is titled as a reflection of her life and frame of mind at 25 years old and is termed a "make-up record". Its lyrical content features themes of Adele "yearning for her old self, her nostalgia", and "melancholia about the passage of time" according to an interview with the singer by Rolling Stone, as well as themes of motherhood and regret. In contrast to Adele's previous works, the production of 25 incorporated the use of electronic elements and creative rhythmic patterns, with elements of 1980s R&B and organs. Like when recording 21, Adele worked with producer and songwriter Paul Epworth and Ryan Tedder, along with new collaborations with Max Martin and Shellback, Greg Kurstin, Danger Mouse, the Smeezingtons, Samuel Dixon, and Tobias Jesso Jr.