«Parque de María Luisa» se convierte así en el regreso de uno de los mayores genios surgidos del flamenco y la música española. El esperado nuevo capitulo en la evolución musical de Rafael Riqueni, la reinvención que no cesa. Una obra que libera el impresionismo que puede surgir desde raíz flamenca, para con ello protagonizar un camino hacia la suma belleza de lugares y vivencias que permanecían en la memoria más intima del creador.
Since 1977, when he won the Ramón Montoya Prize for Concert Guitar in Cordoba, at the age of only fifteen, he has had a serious, consequent performing activity. An exquisite musician, composing and concert performance are important facets of his work, at live performances and in his record catalogue, although he has not ceased to accompany cante, as he is convinced that "it is very important for the solo guitarist to know the cante, because that is what provides firmness when playing alone". Riqueni has performed extensively as a concert guitarist and has played with people such as Enrique Morente, Anouar Brahem, Al Di Meola, Matías Fray and the Vargas Blues Band. He is also a noted flamenco composer, similar to the style of Albéniz and Turina. His 1987 album simply entitled "Flamenco", was recorded live without any special effects or recording studio tricks.