When the Bureau B label contacted Karl Bartos and showed interest in releasing any archival material he might have laying around the lab, the former Kraftwerk member (that is, "classic lineup" member, joining for the Autobahn tour and leaving somewhere between Electric Cafe and The Mix) wasn't interested. After all, he's a never-look-back futurist, but as the liner notes to Off the Record explain, he's an open-minded futurist as well and allowed this initially rejected idea to morph into something new. Kicking off with "Atomium" - a grand bit of robot techno and possible sequel to Kraftwerk's "Radioactivity" - Off the Record uses Bartos' archival tapes, zip drives, or computer files from 1975 to 1993 as its foundation, then mashes these off-hours audio sketches (recorded "off the record" from his usual band) with new ideas, overdubs, and vocoder vocals…
Computer World is the eighth studio album by German electronic music band Kraftwerk, released in May 1981. The album deals with the themes of the rise of computers within society. Critics see this album as a peak in the career of Kraftwerk, along with Autobahn and Trans-Europe Express. The compositions are credited to Ralf Hutter, Florian Schneider, and Karl Bartos. The sound of the album is more reliant on purely electronics and vocals. As was the case with the two previous albums, Computer World was released both as German and English language editions.
By the early '90s, it was quite apparent just how far-reaching Kraftwerk's influence had been. From techno to hip-hop to industrial music to house, numerous others were undeniably indebted to the group. Dance clubs had long been a key part of Kraftwerk's following, and the dance market was the obvious target of The Mix – a collection of highly enjoyable, often clever remixes. While novices would do better to start out with Trans-Europe Express or The Man-Machine, hardcore Kraftwerk followers shouldn't pass up these remixes of such classics as "Trans-Europe Express," "The Robots," "Autobahn," and "Radioactivity." One could nitpick about the absence of "Neon Lights" and "Europe Endless," but the bottom line is that this CD was a welcome addition to the Kraftwerk catalog.