Founded in 2003 on the ashes of ADN by Philippe Benabes and Didier Pegues, Eye 2 Eye finally released their third album on the Musea label. "The Wish" marks a watershed for the group that sign here its first concept-album, inspired by Oscar Wilde's "Picture Of Dorian Gray". Neo Progressive and floydian influences from the early days, make way for a more personal identity, helped by the voice of Djam Zaidi (Transperception), the flamboyant guitars of Amirouche Ali Benali, the swirling keyboards of Philippe Benabes and Elise Bruckert's magical violin, backed by the solid rhythm of Aymeric Delteil (bass) and Didier Pegues (drums & keyboards)…
Best known for their huge international hit single from 1965, ‘Concrete And Clay’, Unit 4 + 2 were a part of the British Beat explosion, with a strong emphasis on vocal harmony. Their guitarist was Russ Ballard, who later enjoyed further fame with Argent and as a solo artist.
The band four hits in total, the others being their debut 45 ‘Green Fields’ (No. 48, 1964), ‘(You’ve) Never Been in Love Like This Before’ (No. 14, 1965) and ‘Baby Never Say Goodbye’ (No. 49, 1966).
Unit 4 + 2 signed to Decca in 1964, enjoying notable success and recording a string of singles, an EP and an album for the label before over a three-year period…
Showmen were a Naples band important in RPI history as well as rock and roll. The first incarnation dates to 1966 and included in its line-up Elio d'Anna, who would go on to form the RPI powerhouse Osanna. The first line-up blended Italian pop with soul/R and B and had several successful singles before breaking up around 1970. Shortly after this, several members joined some new musicians to form Showmen 2 which would attempt to blend some of the original Showmen sound with the exciting new rock sounds that were beginning to permeate Italy. This line-up is the one of interest to RPI fans as it produced the fine 1972 album Showmen 2.
The album is housed in a stunning heavy gatefold cover and contains a peculiar mix of rock, rhythm & blues, prog, not far from the sound of Chicago or the English band If…
Robert Berry will return with a second 3.2 album, "Third Impression" on February 12, 2021. The band/project is a continuation of the band 3, which a band Berry was in with Carl Palmer and the late great Keith Emerson.
In October 2015, conversations about a new "3" album started between Robert Berry and Frontiers President, Serafino Perugino as Robert had been speaking to Keith Emerson about releasing the long delayed "3" follow up album. Along with renewed fan interest in the band and those conversations, Berry had sparked revived enthusiasm from Keith Emerson for pursuing the project. The exchange of musical ideas and song collaborations ultimately paved the groundwork for 3.2’s first album, "The Rules Have Changed"…
Eye 2 Eye has been founded in the 2003 on the ashes of ADN by Philippe Benabes and Didier Pegues.
With "The Light Bearer" (Musea, 2017), Eye 2 Eye finally comes out of a silence that lasted five years. However, this wait will not have been in vain, since after a few personnel changes, Eye 2 Eye proves to us that it has lost nothing of its verve. The neo Progressive influences of the past are less evident, to leave room for others, more symphonic. The vocals, now held by Michel Cerroni, are deep and lyrical, while the arrangements are even further polished. A string quartet brings a bit of novelty as well. "The Light Bearer" is a very nice surprise!
"Silent Piano - Songs for Sleeping 2" is the second collection of pieces composed by Blank and Jones and performed by pianist Marcus Loeber. The album consists of thirteen very quiet and calming piano solos played with delicate perfection by Loeber. For this album, Blank & Jones worked with soundtrack expert Marcus Loeber and created very intimate arrangements of their own classic compositions from the last decade. "Silent Piano - Songs for Sleeping 2" provides more than an hour of a calming, soothing solo piano music and as well as a respite from our crazy, noisy world.
Some nine years after Miles Davis’ untimely death, Columbia Records is still repackaging his recorded legacy. The most recent efforts in this area have been made available both on compact disc and in 180-gram vinyl versions by way of Mosaic Records. It is the latter edition that this review is based on, though it should be noted that basically the only difference between the two sets, besides the presentation medium, is that Mosaic’s package is a 12 x 12 box with an album-sized booklet accompanying the records.
Altoist Art Pepper was at the height of his career during his final five years. A brilliant improviser in the 1950s, by the late '70s the many dark experiences he had had in life were reflected in a deep emotional intensity in his playing. He played each solo as if it might be his last and his passion was brutally honest. This giant 16-CD Galaxy set features Pepper at the peak of his powers.