Rene Girad

Although he writes in all genres, René Clausen is today one of America’s most popular choral composers, and for more than twenty years he has been the conductor of the internationally acclaimed Concordia Choir of Concordia College in Moorhead, Minnesota. On this release, choral works by Clausen are performed by the Kansas City Chorale, another choir of great international renown, whose recording, with the Phoenix Chorale, of Grechaninov’s Passion Week scooped a Grammy® award in 2008, in the category Best Classical Recording, Engineering.

Two well-known tenor greats go on a special journey of discovery: René Kollo and Jay Alexander sing evening songs by Schubert, Brahms, Mendelssohn and Schumann. The famous songs from the Romantic era have all been rearranged for string orchestra and have been produced in this form in the studio for the first time. The unique album, which will be released on February 11, 2022, combines two well-known voices that complement each other perfectly in their differences. The two singers can be heard as a duet and as a soloist, creating a completely new listening experience for these songs.

Multiple prize-winning conductor René Jacobs and the B’Rock Orchestra complete their Schubert cycle on Pentatone with the composer’s two most famous symphonies, the Unfinished and Great. In his extensive liner notes, Jacobs develops a theory that the B Minor Symphony did not remain “unfinished”, but was deliberately left unfinished, because Schubert shaped its two movements in analogy to Mein Traum (My Dream), an autobiographical narration in two parts, written in 1822, simultaneous to the creation of the symphony. While the first half of Mein Traum tells about his mother’s decease and his problematic relationship to his father, the second part enters a magical, Romantic realm, and eventually brings a reconciliation with his father.

René Thomas (1927-1975) was considered the best European jazz guitarist of his generation by fellow musicians and critics, but his career was marred by the pervasive skepticism of jazz fans. Despite trying hard to carve his own space, he never obtained the recognition he deserved for his immense talent, perhaps because of his introverted character and prolonged withdrawals from the scene.