It’s hard to pick a favorite William Parker outfit. Everything he touches is magic, from his giant orchestras to his solo outings. But his quartets might be his ideal venues: There’s enough structure that the music can’t be called free jazz, and there’s enough leeway to let democracy command the performance. Last October, Parker took two quartets into the studio on the same day, and the result—recorded all in one day—is the blissful two-disc set Meditation/Resurrection.
The 1968 edition of the Paul Butterfield Blues Band featured a larger ensemble with a horn section, allowing for a jazzier feeling while retaining its Chicago blues core. They also adopted the psychedelic flower power stance of the era, as evidenced by a few selections, the rather oblique title, and the stunning pastiche art work on the cover. Butterfield himself was really coming into his own playing harmonica and singing, while his band of keyboardist Mark Naftalin, guitarist Elvin Bishop, drummer Phil Wilson, electric bassist Bugsy Maugh, and the horns featuring young alto saxophonist David Sanborn was as cohesive a unit as you'd find in this time period…
One Shot 80: Da oltre di 10 anni è la collana più completa dedicata ai successi Pop e Dance della decade che va dal 1980 al 1989. Dopo il successo ottenuto con la prima serie arrivata al 20° volume, anche grazie agli innumerevoli Fans che con e-mail e cartoline contenute all'interno del CD hanno collaborato alla riuscita con le loro segnalazioni, ecco che la Universal Music Italia, propone quello che viene considerato il completamento dell'opera. La Nuova One Shot, come forse avete già capito, oltre ad essere rinnovata nel look, è rinnovata anche nei contenuti, 2 CD per volume che raccolgono anno per anno tutto quello che gli anni 80 hanno offerto.
Building off of the success of his previous long player Too Low For Zero (1983), Elton John (piano/vocals) retained his 'classic quartet' for the follow-up Breaking Hearts (1984). After an eight year ('75 – '83) hiatus Dee Murray (bass/backing vocals), Davey Johnstone (guitar/backing vocals) and Nigel Olsson (drums/backing vocals) briefly reunited with John and Bernie Taupin (lyrics) to attempt a musical resurrection of their early-to-mid '70s sound…
Building off of the success of his previous long player Too Low For Zero (1983), Elton John (piano/vocals) retained his 'classic quartet' for the follow-up Breaking Hearts (1984). After an eight year ('75 – '83) hiatus Dee Murray (bass/backing vocals), Davey Johnstone (guitar/backing vocals) and Nigel Olsson (drums/backing vocals) briefly reunited with John and Bernie Taupin (lyrics) to attempt a musical resurrection of their early-to-mid '70s sound…