Reuben, Reuben 1983

D.K. Malhotra lives a comfortable lifestyle with his wife, Indu, and two school-going daughters, Pinky and Minni. He works in the office of an Architect. One day while the family is relaxing, D.K. gets a phone call that results in him bringing home a young school-going boy by the name of Rahul. Indu is shocked to learn that Rahul is D.K.'s son from another woman, Bhavana, who is no more. D.K. does his best to make Rahul comfortable, but fails. Rahul also feels that Indu does not really like him, though Pinky and Minni have taken to him in a big way. Finally, D.K. decides to admit Rahul in a boarding school in far off Nainital. Rahul reluctantly goes along with this new-found uncle/friend. It is when Rahul is asked to put his papers together for school that Rahul finds out that D.K. is his biological father. Watch what happens when Rahul disappears from D.K.'s house, and the impact this has on D.K., Indu, and her two daughters.

Merry Christmas, Mr. Lawrence (Japanese: Senjō no Merī Kurisumasu (戦場のメリークリスマス, Battlefield Merry Christmas), also known as Furyo in many European editions) is a 1983 film directed by Nagisa Oshima, produced by Jeremy Thomas and starring Jack Thompson, David Bowie, Tom Conti, Ryuichi Sakamoto, Yuya Uchida, and Takeshi Kitano.
Transferred from a military prison in Batavia, a British major is sentenced to a Japanese prison camp on Java in 1942. There, he clashes psychologically, culturally and physically with the camp's commander who is, in truth, infatuated with him. Despite the harshness of life in the camp, the major, along with fellow prisoner, John Lawrence, gain an understanding and hard-won respect for the Japanese code of honor.

When the students of Angel Beach High decide to stage "An Evening With Shakespeare," their efforts are threatened by Miss Balbricker, who views the works of Shakespeare as obscene. She enlists the help of Reverend Bubba Flavel, a religious fanatic who brings along his flock of followers to pressure the school into shutting down the production. When they succeed with the help of corrupt city officials seeking re-election, the gang don't get mad… they get even!

Star Wars Episode VI: Return of the Jedi is a 1983 American epic space opera film directed by Richard Marquand and written by George Lucas and Lawrence Kasdan. It is the third film released in the Star Wars saga, and the sixth and final in terms of internal chronology. It is the first film to use THX technology.

Scarface tracks the ruthless rise (and spectacular fall) of Tony Montana (Al Pacino), a Cuban refugee who comes to Miami and soon sets his sights on more than the entry-level American Dream tends to offer. With lifelong best friend Manny Ribera (Steven Bauer) in tow, Tony locks and loads his way up the criminal ladder, killing anyone who crosses…

A suburban Chicago teenager's parents leave on vacation, and he cuts loose. An unauthorised trip in his father's Porsche means a sudden need for lots of money, which he raises in a creative way.

One of Spanish cinema’s great auteurs, Carlos Saura brought international audiences closer to the art of his country’s dance than any other filmmaker, before or since. In his Flamenco Trilogy - Blood Wedding, Carmen, and El amor brujo - Saura merged his passion for music with his exploration of national identity. All starring and choreographed by legendary dancer Antonio Gades, the films feature thrilling physicality and electrifying cinematography and editing - colorful paeans to bodies in motion as well as to cinema itself.

This sprawling epic of bloodshed and excess, Brian De Palma's update of the classic 1932 crime drama by Howard Hawks, sparked controversy over its outrageous violence when released in 1983. Scarface is a wretched, fascinating car wreck of a movie, starring Al Pacino as a Cuban refugee who rises to the top of Miami's cocaine-driven underworld, only to fall hard into his own deadly trap of addiction and inevitable assassination. Scripted by Oliver Stone and running nearly three hours, it's the kind of film that can simultaneously disgust and amaze you (critic Pauline Kael wrote "this may be the only action picture that turns into an allegory of impotence"), with vivid supporting roles for Steven Bauer, Michelle Pfeiffer, Mary Elizabeth Mastrantonio, and Robert Loggia. Universal's special edition digital video disc includes a documentary about the making of the film that features numerous interviews and several deleted scenes. –Jeff Shannon

The teenage life and adventures of young José who lives in a shanty-town on Martinique in the mid-'30s comprises the body of this well-wrought film on how to enjoy what you have. José lives with his grandmother and is well aware of the French colonial presence but they are far away from his world. He gets into mischief, learns valuable lessons on living from an old former slave, drinks too much one time, and even sets fire to one of the run-down shanties. Regardless of his pranks, José never lets up on his studies and in the end, his diligence pays off.