Rhapsody 1954

Description: A poor village under attack by bandits recruits seven unemployed samurai to help them defend themselves.Unanimously hailed as one of the greatest masterpieces in the history of the motion picture, Seven Samurai has inspired countless films modeled after its basic premise. But Akira Kurosawa's classic 1954 action drama has never been surpassed in terms of sheer power of emotion, kinetic energy, and dynamic character development. The story is set in the 1600s, when the residents of a small Japanese village are seeking protection against repeated attacks by a band of marauding thieves. Offering mere handfuls of rice as payment, they hire seven unemployed "ronin" (masterless samurai), including a boastful swordsman (Toshiro Mifune) who is actually a farmer's son desperately seeking glory and acceptance. The samurai get acquainted with but remain distant from the villagers, knowing that their assignment may prove to be fatal. The climactic battle with the raiding thieves remains one of the most breathtaking sequences ever filmed. It's poetry in hyperactive motion and one of Kurosawa's crowning cinematic achievements. This is not a film that can be well served by any synopsis; it must be seen to be appreciated (accept nothing less than its complete 207 -minute version) and belongs on the short list of any definitive home-video library.

Robert Langlois, stagiaire chez un avocat, perd sa place. Vivant chez ses parents il ne leur parle pas de sa situation et, pour vivre, donne des leçons particulières. Il rencontre une jeune fille, Catherine, dont il tombe amoureux. Cette dernière élève une petite fille – l'enfant de sa sœur morte en couches. Tant qu'il ne peut faire face aux problèmes de son futur ménage, Robert parvient à faire engager Catherine comme bonne chez ses parents. Peu à peu, Catherine s'intègre chez les Langlois. Robert peut alors déclarer qu'il aime Catherine et l'épouser.

In 1943, Oscar Hammerstein Jr. took Georges Bizet's opera Carmen, rewrote the lyrics, changed the characters from 19th century Spaniards to World War II-era African-Americans, switched the locale to a Southern military base, and the result was Carmen Jones. Dorothy Dandridge stars as Carmen Jones, tempestuous employee of a parachute factory. Harry Belafonte plays Joe (originally José), a young military officer engaged to marry virginal Cindy Lou (Olga James). When Carmen gets into a fight with another girl, she is placed under arrest and put in Joe's charge. Succumbing to her attractiveness, Joe accompanies Carmen to her old neighborhood, where, after killing a sergeant sent to retrieve him, he deserts the army. Carmen tries to be faithful, but fortune-telling Frankie (Pearl Bailey) warns her that she and her soldier are doomed. Enter Joe Adams in the role of boxer Husky Miller (a play on Carmen's bullfighter Escamillo), who sweeps Carmen off her feet, ultimately with tragic consequences. Alhough both Dorothy Dandridge and Harry Belafonte were singers, their opera voices were dubbed in by LeVern Hutcherson and Marilyn Horne.

Fearing her son could be gay, a conservative mother takes in a French foreign exchange student, who ends up teaching the family a lot about life, acceptance, and love.

As the story begins in 1866, a mysterious sea monster, theorized by some to be a giant narwhal, is sighted by ships of several nations; an ocean liner is also damaged by the creature. The United States government finally assembles an expedition in New York City to track down and destroy the menace. Professor Pierre Aronnax, a noted…

Based on a centuries old tale with roots in real events, Chikamatsu Monogatari [A Tale From Chikamatsu, aka The Crucified Lovers] tells the hauntingly tragic story of a forbidden love affair between a merchant’s wife, Osan (Kyoko Kagawa), and her husband’s employee, Mohei (Kazuo Hasegawa), in an era when the punishment for adultery was crucifixion. When a series of innocent events lead to the false accusation of an affair between Osan and Mohei, the accused pair are forced to flee an almost certain death sentence. On the run, the outlaw couple grow closer together, drawn inexorably towards the romantic crime of which they are accused. In the hands of Mizoguchi, Chikamatsu Monogatari depicts two people caught up in a constricted world where true love and social obligation are at odds. His portrayal of the lovers’ dilemma lead famed director Akira Kurosawa to describe the film as “a great masterpiece that could only have been made by Mizoguchi.”
The Masters of Cinema Series is proud to present Mizoguchi’s films for the first time on home video in the UK - Chikamatsu Monogatari is only available as a twinpack with Uwasa no Onna.

As the film opens, Joanna (Eleanor Parker), a New Orleans woman arrives at the South American cocoa plantation to meet her new husband, plantation owner Christopher Leiningen (Charlton Heston) whom she has married by proxy. Leiningen is cold and remote to her, rebuffing all her attempts to make friends with him. She's beautiful…

Keisuke Kinoshita’s Twenty-Four Eyes (Nijushi no hitomi) is an elegant, emotional chronicle of a teacher’s unwavering commitment to her students, her profession, and her sense of morality. Set in a remote, rural island community and spanning decades of Japanese history, from 1928 through World War II and beyond, Kinoshita’s film takes a simultaneously sober and sentimental look at the epic themes of aging, war, and death, all from the lovingly intimate perspective of Hisako Oshi (Hideko Takamine), as she watches her pupils grow and deal with life’s harsh realities. Though little known in the United States, Twenty-Four Eyes is one of Japan’s most popular and enduring classics.

André Ripois, un Français exilé à Londres, est un Don Juan. Sa femme Catherine, lasse de ses infidélités, part pour Édimbourg pour préparer son divorce. Pendant ce temps, André, entre plusieurs liaisons opportunistes, s'éprend de Patricia, une amie de sa femme, et, pour la séduire, utilise de nombreux stratagèmes : il va jusqu'à simuler son suicide par défenestration, mais il tombe accidentellement et reste paralysé à vie. Catherine s'imagine, comme Patricia, qu'il a tenté de se suicider à cause d'elle et renonce au divorce : Ripois devient, malgré lui, le « fidèle prisonnier » de sa femme.