Richard Sanderson

This recording of two masterful orchestral works by Sir Michael Tippett is fascinating and rewarding for many reasons, not least for the undeniable vividness of the music, the scintillating sonorities of the orchestration, and the vitality of the performances, but also for the utterly vibrant reproduction, presented in pristine DSD sound for this hybrid Super Audio CD from Chandos. This audiophile technology was intended for music of the widest dynamic range, depth, and variety of timbres, and Tippett's evocative and mysteriously shaded The Rose Lake (1991-1993) and his bright and vigorous Ritual Dances from The Midsummer Marriage (1946-1952) clearly provide the fullest possible experience of the large modern orchestra in scores of almost cinematic scope.

Vladimir Cosma became a highly regarded and hugely prolific soundtrack composer for the French cinema in the 60s and 70s. As the title says, 40 Films - 40 Bandes Originales. All remastered in high definition onto 17 CDs and beautifully packaged in a handsome box as shown. Including the soundtracks from the iconic film 'Diva', 'Mistral's Daughter', 'The Closet', this set amply demonstrates Cosma's ability to compose good, sometimes great, music to accompany these films, while also borrowing from classics and contemporary pop.

Vladimir Cosma became a highly regarded and hugely prolific soundtrack composer for the French cinema in the 60s and 70s. Cosma is a stellar example of the rich traditon of French movie composers, from Auric to Delerue to Desplat. Like them, he seems to effortlessly breathe melodies. His music can be lush, it can be spritely. It shimmeres, cascades, and yes, sometimes, it kicks butt. This second box set of his scores, like the first, is a treasure chest for fans of rich, melodic film music.

Completing their Ring cycle on Naxos, Jaap van Zweden and the Hong Kong Philharmonic Orchestra have at last released their much anticipated recording of Götterdämmerung, which proves conclusively that this enterprise was a success. There had been some concern that Wagner's tetralogy would be an insurmountable challenge for this inexperienced orchestra, and that an untried conductor and singers would be unable to give convincing performances from start to finish. Beginning with the release of Das Rheingold in 2015, which was followed by Die Walküre in 2016 and Siegfried in 2017, the performances showed increasing confidence and commitment, not least from van Zweden, who had planned this project since he began his tenure with the orchestra in 2012, but also from the orchestra, which provided consistently solid playing and many moments of sheer brilliance.

Even before the first KuschelRock album, Kuschelrock was named as a weekly nightly music program for HR3 radio station (HR3 broadcasts from Frankfurt, Germany), the author and host of this project was Thomas Koschwitz, who is considered to be the co-author of a number of albums in Kazle … After Sony Music patented the right to release a series of albums called "KuschelRock", the HR3 radio station can no longer air this night music show … And now Sony Music regularly releases every year on the album …

The first volume of Tempesta di Mare's series on Chandos, Comédie et Tragédie, offers period-style performances of orchestral music by Jean-Baptiste Lully, Jean-Féry Rebel, and Marin Marais. The orchestral suites drawn from Lully's music for Le bourgeois gentilhomme, Rebel's symphonie nouvelle Les élémens, and Marais' suite from the tragédie en musique Alcyone give a taste of theater music in the court of Louis XIV and Louis XV, and these pieces show how inventive composers were with instrumentation and their combinations of dances with dramatic scene painting. Tempesta di Mare, which is also known as the Philadelphia Baroque Orchestra, gives bright and energetic performances, and the musicians have a fine sense of the swung rhythms, distinctive tone colors, and lively ornamentation in French Baroque music. The recording is clear and well-balanced, though the percussion in Lully's March for the Turkish Ceremony (track 4) is a bit startling, and the dissonant opening of Rebel's Le Chaos (track 13) has its own shock value. Highly recommended.