Richard Serra

With his riveting performance in the inaugural Sequesterfest online festival in April 2020, Ken Vandermark inspired the Black Cross Solo Sessions. Already in the early days of lockdown, making good on the promise – or threat – of protracted off-road time, Vandermark had dedicated himself to the creation of a new book of works for solo reed instruments, which he debuted that day. The result of this watershed moment for the Chicago-based improvisor and composer was a body of works that reassert his seriousness and test his ability to reflect and reevaluate. The compositions, which are platforms for invention, are dealt with in relatively economical, almost stripped-down fashion, ringing with a kind of bell-like clarity and focus. Most tracks are on the shorter side, straight to the point, featuring the rippling intensity that is a Vandermark hallmark, but with an altogether reborn sense of purpose.