I’m A Harmony, new album from psych-folk legend Linda Perhacs, coming on Omnivore September 22. Produced by Pat Sansone (Wilco/The Autumn Defense), Fernando Perdomo and Linda Perhacs. Guest artists include Chris Price, Devendra Banhart, Pat Sansone & John Stirratt (Wilco/The Autumn Defense), Glenn Kotche & Nels Cline (Wilco), Julia Holter.
Four CD set features over four hours of jazz classics from such artists as Norah Jones, St. Germain, Nina Simone, Shuggy Otis, Luther Vandross, Ella Fitzgerald, & many more. It's the 1st part of popular series "The Best… Ever!"
In the world of music, there was never anyone quite like ARTHUR 'BIG BOY' CRUDUP. Rooted in the Mississippi Delta, his style was propulsive, melodic, original, and profoundly soulful. If he wasn’t 'The Father of Rock ‘n’ Roll', as one LP proclaimed, there’s no doubt that rock ‘n’ roll owes a debt to his songs, including That’s All Right Mama, My Baby Left Me, Rock Me Mamma, So Glad You’re Mine, and Mean Ol’ Frisco Blues, as much as to his tight, swinging brand of rural blues.
Electric blues, Texas style! Inspired by the greatest players, he sounds like a Freddie King/Johnny Winter blend. If you like extended guitar soloing on a good level, and Johnny Winter-like vocals, you will love Texas Slim! Texas is a big state and Texas blues is big blues - so a name like "Texas Slim" is not to be used lightly. John Lee Hooker got away with it on King Records back in 1949 as he was a long way from Texas and probably had little to do with it. Many years ago, Johnny Winter settled instead for "Texas Guitar Slim" - but both are relevant for our man here, as the first blues he recalls hearing was by John Lee Hooker, and as for Johnny Winter, well, let's hear from Slim himself: “Johnny Winter is certainly my favorite guitarist of all time! I liked him before I realized he WAS blues.
after a five year gap, Ms Turner has released this latest album – a 14 tracker that reflects the diversity manifest in her career. 'All That I Am' proffers all kinds of flavours but the most prominent is catchy pop/soul with a hint of AOR – the kind of music that sits easily on the playlist of Radio 2. 'Hello Baby', 'Fire In My Heart', 'Move On' and the lightly reggae-flavoured 'Putting You First' are good examples of what I mean. Pleasant and innocuous, Ruby, I'm sure, could knock stuff like this out in her sleep.
The usual perception of early Deep Purple is that it was a band with a lot of potential in search of a direction. And that might be true of their debut LP, put together in three days of sessions in May of 1968, but it's still a hell of an album. From the opening bars of "And the Address," it's clear that they'd gotten down the fundamentals of heavy metal from day one, and at various points the electricity and the beat just surge forth in ways that were startlingly new in the summer of 1968…