Rid 2023

Five CD set bringing a comprehensive, big-tent look at the early years of punk rock in the US and Canada. Over six hours of music. Includes benchmark tracks by the scene's most influential bands plus many rare singles making their first appearance on CD. This five CD includes influential NYC bands - Patti Smith Group, The Ramones, Television, Blondie, The Voidoids, etc. - as well as the scene's other pioneers such as Pere Ubu and The Dead Boys (both Cleveland, Ohio), Dead Kennedys and Crime (San Francisco), Devo (Akron, Ohio), The Germs and The Weirdos (Los Angeles) and Mission of Burma (Boston, Massachusetts). Blank Generation offers a deliberately broad definition of punk, encompassing contributions from such outré acts as Suicide, The Cramps and The Residents through to new wave/power pop combos (Sneakers, Chris Stamey & the dB's, etc.). While the US punk scene was arguably always more diverse musically than that of the UK, the music evolved quickly, as evinced by the choices heard on Discs 4 and 5. Many of the acts here such as X, The Replacements, The Feelies, Redd Kross, The Dream Syndicate, The Gun Club and Minor Threat would make an even greater impact as the 1980s wore on. It's hard to overestimate the seismic shocks caused by the music on 'Blank Generation', not only on everything in alternative music which followed in North American, from the 80s hardcore scene and the music heard on the whole alternative college radio network through to grunge and beyond. And yet this era has never before been treated to a comprehensive retrospective of this kind.

Five CD set bringing a comprehensive, big-tent look at the early years of punk rock in the US and Canada. Over six hours of music. Includes benchmark tracks by the scene's most influential bands plus many rare singles making their first appearance on CD. This five CD includes influential NYC bands - Patti Smith Group, The Ramones, Television, Blondie, The Voidoids, etc. - as well as the scene's other pioneers such as Pere Ubu and The Dead Boys (both Cleveland, Ohio), Dead Kennedys and Crime (San Francisco), Devo (Akron, Ohio), The Germs and The Weirdos (Los Angeles) and Mission of Burma (Boston, Massachusetts). Blank Generation offers a deliberately broad definition of punk, encompassing contributions from such outré acts as Suicide, The Cramps and The Residents through to new wave/power pop combos (Sneakers, Chris Stamey & the dB's, etc.). While the US punk scene was arguably always more diverse musically than that of the UK, the music evolved quickly, as evinced by the choices heard on Discs 4 and 5. Many of the acts here such as X, The Replacements, The Feelies, Redd Kross, The Dream Syndicate, The Gun Club and Minor Threat would make an even greater impact as the 1980s wore on. It's hard to overestimate the seismic shocks caused by the music on 'Blank Generation', not only on everything in alternative music which followed in North American, from the 80s hardcore scene and the music heard on the whole alternative college radio network through to grunge and beyond. And yet this era has never before been treated to a comprehensive retrospective of this kind.

Five CD set bringing a comprehensive, big-tent look at the early years of punk rock in the US and Canada. Over six hours of music. Includes benchmark tracks by the scene's most influential bands plus many rare singles making their first appearance on CD. This five CD includes influential NYC bands - Patti Smith Group, The Ramones, Television, Blondie, The Voidoids, etc. - as well as the scene's other pioneers such as Pere Ubu and The Dead Boys (both Cleveland, Ohio), Dead Kennedys and Crime (San Francisco), Devo (Akron, Ohio), The Germs and The Weirdos (Los Angeles) and Mission of Burma (Boston, Massachusetts). Blank Generation offers a deliberately broad definition of punk, encompassing contributions from such outré acts as Suicide, The Cramps and The Residents through to new wave/power pop combos (Sneakers, Chris Stamey & the dB's, etc.). While the US punk scene was arguably always more diverse musically than that of the UK, the music evolved quickly, as evinced by the choices heard on Discs 4 and 5. Many of the acts here such as X, The Replacements, The Feelies, Redd Kross, The Dream Syndicate, The Gun Club and Minor Threat would make an even greater impact as the 1980s wore on. It's hard to overestimate the seismic shocks caused by the music on 'Blank Generation', not only on everything in alternative music which followed in North American, from the 80s hardcore scene and the music heard on the whole alternative college radio network through to grunge and beyond. And yet this era has never before been treated to a comprehensive retrospective of this kind.

Five CD set bringing a comprehensive, big-tent look at the early years of punk rock in the US and Canada. Over six hours of music. Includes benchmark tracks by the scene's most influential bands plus many rare singles making their first appearance on CD. This five CD includes influential NYC bands - Patti Smith Group, The Ramones, Television, Blondie, The Voidoids, etc. - as well as the scene's other pioneers such as Pere Ubu and The Dead Boys (both Cleveland, Ohio), Dead Kennedys and Crime (San Francisco), Devo (Akron, Ohio), The Germs and The Weirdos (Los Angeles) and Mission of Burma (Boston, Massachusetts). Blank Generation offers a deliberately broad definition of punk, encompassing contributions from such outré acts as Suicide, The Cramps and The Residents through to new wave/power pop combos (Sneakers, Chris Stamey & the dB's, etc.). While the US punk scene was arguably always more diverse musically than that of the UK, the music evolved quickly, as evinced by the choices heard on Discs 4 and 5. Many of the acts here such as X, The Replacements, The Feelies, Redd Kross, The Dream Syndicate, The Gun Club and Minor Threat would make an even greater impact as the 1980s wore on. It's hard to overestimate the seismic shocks caused by the music on 'Blank Generation', not only on everything in alternative music which followed in North American, from the 80s hardcore scene and the music heard on the whole alternative college radio network through to grunge and beyond. And yet this era has never before been treated to a comprehensive retrospective of this kind.

Between the release of Heartattack and Vine in 1980 and Swordfishtrombones in 1983, Tom Waits got rid of his manager, his producer, and his record company. And he drastically altered a musical approach that had become as dependable as it was unexciting. Swordfishtrombones has none of the strings and much less of the piano work that Waits' previous albums had employed; instead, the dominant sounds on the record were low-pitched horns, bass instruments, and percussion, set in spare, close-miked arrangements (most of them by Waits) that sometimes were better described as "soundscapes." Lyrically, Waits' tales of the drunken and the lovelorn have been replaced by surreal accounts of people who burned down their homes and of Australian towns bypassed by the railroad – a world (not just a neighborhood) of misfits now have his attention.

Lorelle Meets The Obsolete’s sixth album was recorded at their home studio in Ensenada, Baja California, it was mixed by Jace Lasek of The Besnard Lakes and mastered by Mikey Young of Eddy Current Suppression Ring and Total Control. It’s a short, sharp shock of a record with no unnecessary adornments and no fat on any of its eight songs. Gone are the psychedelic wig-outs found on previous releases, replaced with bass-heavy post-punk grooves inspired by the roots of The Congos, the no wave of Ike Yard, the industrial hip-hop of Dälek and the dark modular moves of Hiro Kone, all while harnessing the elemental power of Jon Hassell’s Vernal Equinox.

Oulu Space Jam Collective is channeling cosmic flows of the universe through their chosen instruments. Jams happen when galaxies collide.

Jason Anthony Harris (Public Speaking) has spent a majority of his adult life at the Museum of Modern Art where he was employed for 12 years. When the MoMA went under a major reconstruction a few years ago, Jason Harris watched this place he became so familiar with become disrupted and reassembled. It was this act of destruction and reconstruction that not only served as the musical sound bed in the field recordings Harris took on An Apple Lodged in My Back but also the main narrative thrust of the album considering gender, sexuality and identity as always in flux.

This record is the result of a particularly inspired approach. An eclectic composer and a pianist of a rare elegance, Jean-Marie Machado has accustomed us, since the eighties, to opening the doors of modern jazz to other musical worlds.