Originally released in 1958 by the budget-priced Crown label, The Blues collected a dozen sides B.B. King cut for RPM and Kent between 1951 and 1958. (RPM and Kent were owned by the Bahari Brothers who also ran Crown, which explains how one of the true prestige artists of the blues ended up on such a notoriously cheap-o label.) As was often the case with Crown's product, The Blues used a single hit tune (in this case "When My Heart Beats Like a Hammer," a Top Ten R&B chart entry in 1954) to help sell a package of lesser-known material, but thankfully the label also picked some great tunes that hardly sound like filler, even if they didn't make the charts.
7 hours popular hits! 160 More Greatest Hits of the 50's! Every fan of rock 'n' roll should have some '50s music in their collection.
I don't mean to take anything away from Elvis Presley and Jerry Lee, but I don't think I ever recorded anybody who was better as a singer, writer or player than Charlie Rich.– Sam Phillips, Sun Records
One of the defining players of the 1950s and 1960s hard bop era, Julian Edwin Cannonball Adderley remains one of the most respected and fondly-remembered saxophonists in all of jazz. With a sound that was uniquely his own and a repertoire that saw him support - and in turn be supported by - some of the greatest musicians and groups to emerge during the period, Adderley is the stuff of legend. A huge fan of the playing of Charlie Parker and a fierce defender of the entire genre, Adderley s talents rank highly alongside the likes of Miles Davis and John Coltrane, and his catalogue of work as a bandleader is still today among the finest of any jazz master. This collection contains the first eight albums released by Cannonball Adderley as bandleader…
Pure and simple genius from trumpeter Charlie Shavers – a player with a sweet tone and a fluid groove – stepping out here with great accompaniment from pianist Ray Bryant! The CD brings together work from the albums Charlie Digs Paree and Charlie Digs Dixie – both originally recorded for MGM Records in the late 50s, and done in a clean, uncluttered style that really brought a strong focus to Shaver's solos, but also gave some excellent rhythmic support from Bryant – working here at the height of his early powers, in a mode that's clearly relaxed enough to get with the spirit of each different session.
Although he plays guitar exclusively on two of the eight selections included on this CD reissue, it is Toots Thielemans' harmonica playing that is most unique. He holds his own on a hard bop blowing date with baritonist Pepper Adams, pianist Kenny Drew, bassist Wilbur Ware and drummer Art Taylor, jamming on such songs as "East of the Sun," "Struttin' with Some Barbeque" and "Isn't It Romantic." Even four decades later, no jazz harmonica player has dethroned the great Toots.
The Mitchell-Ruff Duo decided upon a different approach for this 1958 session for Roulette, adding a string session and brass, along with veteran bassist Milt Hinton, and a young drummer, Elvin Jones (prior to his joining John Coltrane)…