Rnboi ⁠vice

Miami Vice: The Complete Collection is a powerful monument to composer Jan Hammer's groundbreaking soundtrack to one of television's most memorable series. With over two hours of music, the two compact discs feature 42 memorable cuts, including 22, which have never been released to the public before. Miami Vice redefined television and Jan Hammer's soundtrack completely redefined the way in which shows were scored. The result was a chart-topping commercial success never before seen from a television soundtrack and international acclaim for series and composer alike.

Virtue And Vice is the fourth album released by the Kansas City guitar player Brandon Miller. After a couple of years playing aside Danielle Nicole, Brandon shows with Virtue And Vice a remarkable songwriting talent in an album with plenty of rock, ballads, and acoustic tunes. The album has eleven original songs, along with enthusiastic covers of George Harrison’s “While My Guitar Gently Weeps” and Tom Petty’s “Honey Bee”…

Polish band Love De Vice was formed in 2007, initially sporting the moniker Playfinger. The core of the initial band, friends who had played together since 1993, consisted of Andrzej Archanowicz (guitars, vocals), Tomasz Kudelski (drums) and Robert Pelka (bass, vocals). For this new venture they were joined by Robert Wieczorek (guitars) and Krzysztof Slaby (keyboards). When they started recording material in 2008 it soon became clear that a vocalist was needed, which is when Pawel Granecki (vocals) joined, and soon after the band left their initial moniker Playfinger behind and decided to continue as Love De Vice.

Paul Quinichette - The Vice Pres (1951-1954) {EmArcy–Verve Elite 314 543 750-2 rel 2000
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 248 Mb | MP3 @320 -> 165 Mb
Full Artwork @ 300 dpi (jpg) -> 42 Mb | 5% repair rar
© 1951-54, 2000 EmArcy / Verve Elite Edition | 314 543 750-2
Jazz / Bop / Mainstream Jazz / Saxophone

Paul Quinichette was known as "the Vice Pres" because he sounded so similar to Lester Young ("Pres") during the 1950s. Despite that fault (his lack of originality), Quinichette was quite creative and swinging within Young's style and his recordings were consistently rewarding during the era.